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Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Bibliography
Genres
Von Glahn [Cooney], Denise
Year: 1996
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn, D.
Year: 2006
Complete Citation:
Von Glahn, D. H. Wiley Hitchcock, Charles Ives: 129 Songs. In: American Music, Vol. 24, No. 2 (2006): 228-230.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.Notes:
De-tailed discussion of two songs: The Indians and Charlie Rutlage.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.Notes:
In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
M. Ives and Manhattan
von Rhein, John
Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Walker, Ernest
Year: 1921
Complete Citation:
Walker, Ernest. 1921. “Review of Second Pianoforte Sonata, ‘Concord, Mass., 1840--1860’ and Essays Before a Sonata, by Charles Ives.” Music & Letters 2, no. 3: 287-288.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Wallach, Larry
Year: 1996
Complete Citation:
Wallach, Larry. “A Work and Its Sources: The Second Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Wallner, Bo
Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.Notes:
Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Warburton, Thomas
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Reviewed Work: Quarter-Tone Chorale by Charles Ives, Alan Stout.” Notes 36, no. 1 (September 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Warburton, Thomas. “Orchestral Music by C. Ives.” Notes 36, no. 1 (September 1, 1979): 192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes:
A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes:
Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ward, Keith C.
Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.Notes:
Compares Ives to Emerson.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Ward, Keither
Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy