Dickinson, Peter
Year: 1986
Complete Citation:
Dickinson, Peter. “Reviewed Works: Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano by George Crumb; Songs by Charles Ives.” American Music 4, No. 2 (Summer, 1986): 233-235.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2006
Complete Citation:
Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2013
Complete Citation:
Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
DiMaggio, Kenneth
Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
DiYanni, Robert
Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes: Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Domin, Wolfgang
Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Donohue, John and Michael Petersen
Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.Source: Newspaper
VI. Topical Studies
L. Ives and America
Dorrill, Martha
Year: 1991
Complete Citation:
Martha Dorrill. "The Alcotts.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Downes, Olin
Year: 1925
Complete Citation:
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes: <i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1927
Complete Citation:
Downes, Olin. “Music: Pro-Musica Society.” The New York Times. January 30, 1927, 28.Source: Newspaper
Reprints: Downes, Olin. “Music: Pro-Musica Society.” In <i>Charles Ives and His World</i>, 293-295. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1934
Complete Citation:
Downes, Olin. “A Nation’s Musical Frontiers.” The New York Times, June 3, 1934, sec. 9, 5.Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.Source: Newspaper
Reprints: In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1954
Complete Citation:
Downes, Olin. “Charles Ives.” American Composers Alliance Bulletin 4/1 (1954): 17, 26.Source: Journal
VI. Topical Studies
W. Obituaries