Image
Complete Citation:
Broyles, Michael. “Precursors: Charles Ives and Leo Ornstein.” In Mavericks and Other Traditions in American Music, 71-91. New Haven, CT: Yale University Press, 2004.
Bibliography
Genres
Broyles, Michael
Year: 2004
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Broyles, Michael and Denise Von Glahn
Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Bruhn, Christopher
Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Charles E. Ives: Symphony no. 4, edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Journal of the Society for American Music, vol. 9, no. 3 (2015): 357-360.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Bryan, Paul
Year: 1975
Complete Citation:
Bryan, Paul. “Reviewed Work: March Intercollegiate, Two-Step for Band by Charles E. Ives, Keith Brion.” Notes 31, no. 3 (March 1975): 655-656.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Buchman, Andrew
Year: 1996
Complete Citation:
Buchman, Andrew. “Ives and Stravinsky: Two Angles on “the German Stem.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 131-149. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Buechner, Alan
Year: 1974
Complete Citation:
Buechner, Alan. "Ives in the Classroom: A Teaching Guide to Two Compo-sitions." Music Educator's Journal 61/2 (October 1974): 64-70.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Buechner, Alan Clark
Complete Citation:
Buechner, Alan Clark. “Die Welt des Charles Ives. Protaganist der amerikanischen Musik.” Österreichische Musikzeitschrift 34 (1979): 75-89.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Buhles, Günter
Year: 2000
Complete Citation:
Buhles, Günter. “Amerikanische Komponisten: von Charles Ives and Charles Ruggles bis John Cage and Morton Feldman.” Das Orchester (September 2000): 2.Notes:
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Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Buhles, Günter. “Amerikanische Individualisten: Komposition--von Charles Ives und Duke Ellington bis Thelonious Monk und John Cage.” Jazz Podium, Vol. 50, No. 1 (2001): 12-14.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Buk, False
Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Bukoff, Ronald N.
Year: 1986
Complete Citation:
Bukoff, Ronald N. “Abstract: The Young Composers’ Group and Mr. Ives.” Sonneck Society for American Music Bulletin 12 (Fall 1986): 79-80.Source: Abstract
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bunzl, Alice
Year: 1963-1964
Complete Citation:
Bunzl, Alice. “Reviewed Works: The Gong on the Hook and Ladder, or Firemen's Parade on Main Street by Charles E. Ives; Movement for 2 Trumpets, Trombone, and Piano by Wallingford Riegger; Introduction and Fugue. For Four Cellos or Cello Orchestra. Op. 69 by Wallingford Riegger; Ensemble for String Orchestra by Henry Cowell; Concerto for 5 Kettledrums & Orchestra by Robert Parris.” Notes, vol. 21, no. 1/2 (Winter 1963-Spring 1964) 249-251.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Burge, David
Year: 2018
Complete Citation:
“The early years of Charles Ives.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints:
Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Burkholder, J. Peter
Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles