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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1998
Complete Citation:
Warburton, Thomas. “Charles Ives and Ragtime.” Studi Musicali, Vol. 27, No. 1 (1998): 209-238.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 1999
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, November 28, 1999, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, October 29, 2000: 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ward, Keith C.

Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keither

Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Warren-Findley, Janelle

Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.
Source: Journal
VI. Topical Studies
L. Ives and America

Warren, Robert Penn

Year: 1947
Complete Citation:
Warren, Robert Penn. “Sketches of Those Added by Columbia to the Roll of Pulitzer Prize Winners.” The New York Times. May 6, 1947: 1, 20.
Source: Newspaper
VI. Topical Studies
V. Awards

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Watt, Douglas

Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weatherwax, John

Year: 1934
Complete Citation:
Weatherwax, John. “On the Pacific Coast.” Modern Music 11 (January-February, 1934): 106-177.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Webb, John

Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.
Notes:

Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Webster, Daniel

Year: 1983
Complete Citation:
Webster, Daniel. “Fine Remembrance of Composer Ives.” The Philadelphia Inquirer, June 19, 1983.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Webster, Daniel. “Americana on the Piano: Ives and Three Others.” The Philadelphia Inquirer, April 15, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions