Weischollek, Dirk
Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Weiss, Adolph
Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1931
Complete Citation:
Weiss, Adolph. “In Defense of Native Composers.” The New York Times, July 26, 1931, sec. 8, 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Weschler, Lawrence
Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.Notes: Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
West, Michael J.
Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Westenburg, Richard
Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Weyer, Waldo, and Bertha Spies
Year: 2007
Complete Citation:
Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
White, Michael
Year: 1999
Complete Citation:
White, Michael. “Music Proms 99: The Next Seven Days: Final Edition.” The Independent, August 8, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
White, Michael J.
Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Whitesell, Lloyd
Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Whittaker, Herbert
Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wickstrom, Fred
Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
Wiecki, Ronald Victor
Year: 1992
Complete Citation:
Wiecki, Ronald V. “Two Musical Idealists—Charles Ives and E. Robert Schmitz: A Friendship Reconsidered.” American Music, 10/1 (Spring 1992): 1-19.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wilder, Robert D.
Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.Notes: Includes other passing refer-ences.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Willis, Thomas
Year: 1963
Complete Citation:
Willis, Thomas. “Shaw Gives Bitter Ives, Schoenberg.” Chicago Daily Tribune, January 14, 1963: B6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1963
Complete Citation:
Willis, Thomas. “Ives Anything but an Aesthetician.” Chicago Tribune, March 3, 1963, F8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Willis, Thomas. “Ives’ Symphony is Promising.” Chicago Tribune, November 8, 1965, B7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Willis, Thomas. “Ives’ Symphony is Promising.” Chicago Tribune, November 8, 1965: B7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Willis, Thomas. “Musical Restorations Bringing Masterpieces: Restoration of Musical Masterpieces Bring them to Symphony, Lyric Opera.” Chicago Tribune, 1966, G11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Willis, Thomas. “Ives 4th Symphony Scores Impressive Chicago Debut.” Chicago Tribune, April 1, 1966, B11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
