Image
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.
Bibliography
Genres
Wolffers, Jules
Year: 1958
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski
Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Woodard, Josef
Year: 1991
Complete Citation:
Woodard, Josef. “Sounds Around Town a Different Space Composer Henry Brant, a Creator of ‘Spatial Music,’ Will Accompany Michael Ingham in an Evening of Charles Ives Songs: Ventura County Edition.” The Los Angeles Times, September 26, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Woodson, Susan Carol
Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Wooldridge, David
Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Woolfe, Zachary
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, Without Interruption.” The New York Times, January 16, 2012, C7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2012
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, without Interruption: Review.” The New York Times, January 16, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Wright, David
Year: 1996
Complete Citation:
Wright, David. “Symphonists, Native and Fervent.” The New York Times. 1996, sec. 2: 28.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Wright, James K. And Allyson Wright
Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wright, Stephen
Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wulfert, Eric J.
Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.Notes:
Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wuorinen, Charles
Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes:
Includes several acerbic remarks about Ives and his music.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wyatt, Judith
Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.Notes:
Book review for “The Beaux Arts Trio: A Portrait”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Yates, Peter
Year: 1954
Complete Citation:
Yates, Peter. “Music.” Arts and Architecture 71/10 (October 1954): 6-8, 10, 32-34.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Yates, Peter. 1961. “Charles Ives: The Transcendental American Venture.” Parts 1--3. Arts and Architecture 78, no.2 (February): 6-8; no.3 (March): 4, 8, 10--1; no.5 (May): 6--8, 30-31.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Young, Douglas
Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers