Image
Complete Citation:
1958 - Gilbert Chase. “Situation actuelle de la musique americaine.” La Revue musicale 242 (1958): 97-99.
Bibliography
Genres
Chase, Gilbert
Year: 1958
Notes:
A brief overview. Mentions La Question sans Reponse [i.e., The Unanswered Question].
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966<br>
Complete Citation:
Chase, Gilbert. “Symphony No. 4.” Anuário, vol. 2 (1966): 169.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Chase, Gilbert. "Charles Ives and American Culture." High Fidelity/Musical America 24/10, October 1974, 17-19.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Chase, Gilbert. “Ives and American Culture.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.VI. Topical Studies
L. Ives and America
L. Ives and America
Chavez, Carlos
Year: 1962
Complete Citation:
Chávez, Carlos. “Ives y Copland.” Clave, Voz de la Juventud Musical Uruguaya 49 (August--September 1962): 19--23.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chernosky, Louise E.
Year: 2014
Complete Citation:
Chernosky, Louise E. “Imagining Listeners through American Experimental Music: NPR’s RadioVisions.” In Tomorrow Is the Question: New Directions in Experimental Music Studies, edited by Benjamin Piekut, 229-253. Ann Arbor, MI: University of Michigan Press, Ann Arbor, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Chmaj, Betty E.
Year: 1979
Complete Citation:
Chmaj, Betty E. “Sonata for American Studies: Perspectives on Charles Ives.” Prospects: An Annual of American Culture Studies 4, edited by Jack Salzman, (1979): 1-58.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1983
Complete Citation:
Chmaj, Betty E.. “Abstract: How Charles Ives Put Down the Concord Bards.” Sonneck Society for American Music Bulletin (Summer 1983) 9: 39.Notes:
Regarding Sonata No. 2, “Concord, Mass., 1840-1860,” for piano.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1984
Complete Citation:
Chmaj, Betty E. “Abstract: ‘As I Was Saying’: Charles Ives and the Concord Connection.” Sonneck Society for American Music Bulletin (Fall 1984) 10: 63-64.Notes:
Regarding the Concord Sonata.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Clarke, Andrew
Year: 2004
Complete Citation:
Clarke, Andrew. “CLASSICAL: NEW RELEASES: Final Edition.” The Independent (London, England), May 22, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Clarke, Colin
Year: 2009
Complete Citation:
Clarke, Colin. “Classical Recordings: Nielsen - Suite, “Luciferian”; McDonald - “Meditation before a Sonata: Dew Cloth, Dream Drapery”; Ives - Piano Sonata No. 1.” International Musician, Vol. 107, No. 7 (2009): 219-220.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Clarke, Gary E.
Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Clarke, Henry Leland, and Kurt Stone
Year: 1964
Complete Citation:
Clarke, Henry Leland, and Kurt Stone. “Reviews of Records.” Musical Quarterly 50/1 (January 1964): 114-118.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Clark, Philip
Year: 2010
Complete Citation:
Clark, Philip. “Soundbites: That Strain Again - Where Have We Heard This Before?: Classical Music Will Eat Itself.” Gramophone, Vol. 87 (2010): 28-29.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2011
Complete Citation:
Clark, Philip. “From Beethoven, the Future.” Gramophone, Vol. 89 (2011): 36-41, 43.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews