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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Clüver, Claus

Year: 1991
Complete Citation:
Clüver, Claus. “Musical Trainrides in the Classroom.” Indiana Theory Review 12 (1991): 163-1-85.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Coeuroy, Andre

Year: 1931
Complete Citation:
Coeuroy, Andre. “Revue.” Grinooire 19, VI (June 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cohn, Arthur

Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1940
Complete Citation:
Cohn, Arthur. “Americans at Rochester.” Modern Music 17/4 (May-June 1940): 55-58.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1961
Complete Citation:
Cohn, Arthur. “Bravo, Mr. Bernstein! Bravo, Columbia.” The American Record Guide 28, no. 4 (December 1961): 302-303.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Cohn, Arthur. “On Five Labels Simultaneously, More Music by Charles Ives.” American Record Guide 31/10, June 1965, 958-961.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Cohn, Arthur. “A Divine Document—The Ives Fourth.” American Record Guide 32/3, November 1965, 220-222.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Cohn, Arthur. “Decca’s Nieuw Amsterdam Trio.” The American Record Guide 33, no. 2 (October 1966): 142-143.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Cohn, Arthur. “From RCA Victor: After 68 Years, the First Symphony of Chas. E. Ives.” American Record Guide 32/11, July 1966, 1032-1033.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “Ten Records—Keeping Up with Charles Ives.” American Record Guide 34/5, January 1968, 376-81, 437.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “New Music from Odyssey—Splitting Semitones.” American Record Guide 34, no. 12 (August 1968): 1086-1088.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1969
Complete Citation:
Cohn, Arthur. “Alan Mandel Plays All Twenty-Seven of the Piano Works of Ives.” The American Record Guide 35 no. 7 (March 1969): 548-549.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Cohn, Arthur. “Playing and Conducting that Simply Could Not Be Bettered.” American Record Guide 37, no. 3 (November 1970): 148-151.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cohn, Arthur B.

Year: 1964
Complete Citation:
Cohn, Arthur B. “Cambridge, CRI, and Vox, that Supremely Individual Cre-ative Genius Chas. E. Ives.” American Record Guide 30/9, May 1964, 760-64, 768-769.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cole, Hugo

Year: 1979
Complete Citation:
Cole, Hugo. “The Musical Scene: Mountains and Sponge Cakes.” Country Life 165, no. 4256, (February 1, 1979): 278.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cole, Michael S.

Year: 1997
Complete Citation:
Cole, Michael S. “Concord Revisited: Charles Ives and the American Transcendentalists [Abstract].” Canadian Journal for Traditional Music, Vol. 25 (1997): 29.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Commanday, Robert

Year: 1989
Complete Citation:
Commanday, Robert. “Adventurous Night for San Jose.” San Francisco Chronicle. November 20, 1989, sec. F, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Conn, Peter

Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Conn, Peter J.

Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Cooper, Frank

Year: 1974
Complete Citation:
Cooper, Frank. “The Ives Revelation: Columbia's Contribution to the Ives Centennial.” Music/AGO-RCCO Magazine 8/10, October 1974, 30, 43.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews