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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Corre, Christian

Year: 1988
Complete Citation:
Corre, Christian. “Ives selon Cage: ou, De la citation a l’indetermination.” Revue d’Esthetique 13-15 (1988): 141.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cott, Jonathan

Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cotton, Martin

Year: 1999
Complete Citation:
Cotton, Martin. “Plug in and Play.” Music Teacher, Vol. 78, No. 2 (1999): 24-25.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
Year: 2016
Complete Citation:
Cotton, Martin. “Orchestral Reviews: Carter - Symphonia - “Sum fluxae pretium spei”; Ives “Robert Browning Overture.”” BBC Music Magazine, Vol. 24, No. 4 (2016): 69.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Courrier, Kevin

Year: 2002
Complete Citation:
Courrier, Kevin. Dangerous kitchen: the subversive world of Zappa. Toronto, Canada: ECW Press, 2002.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Courtney, Marian

Year: 1989
Complete Citation:
Courtney, Marian. “Pianist with Many Talents and a Mission.” The New York Times, May 14, 1989, section XII, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Covell, Roger

Year: 2001
Complete Citation:
Covell, Roger. “Sister Act; CD Reviews Arts & Entertainment: Late Edition.” Sydney Morning Herald, 2001.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cowan, Angela

Year: 2015
Complete Citation:
Cowan, Angela. “Keeping the Home Fires Burning.” Peninsula News Review, May 3, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowan, Rob

Year: 2003
Complete Citation:
Cowan, Rob. “CD Masters: A Pianist with Beethoven in His Blood.” BBC Music Magazine, Vol. 12, No. 2 (2003): 112.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Cowan, Rob. “Orchestral Reviews: “From the New World.”” Gramophone, Vol. 91 (2013): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cowan, Robert

Year: 1996
Complete Citation:
Cowan, Robert. “Classical BBC Charles Ives Festival Barbican Centre, London; 'A Radical Avant-Gardist, a Showman and an Introvert, Responsive to Vocal Polish Yet Maddeningly Inscrutable.’” The Independent, January 24, 1996, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowell, Henry

Complete Citation:
Cowell, Henry. “American Composers.” Ohio State University Bulletin 36/3 (September 15, 1931).
Source: Essay in Conference Proceedings
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1925
Complete Citation:
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches
Year: 1928
Complete Citation:
Cowell, Henry. “New Terms for New Music.” Modern Music 5/4 (May--June 1928): 21--27.
Notes:

Uses chords in <i>Premonitions </i>as examples of poly--harmonic succession.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Compositores Modernos de los Estados Unidos.” Musical Havana 1 (November-December 1928): 124-127.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Four Little Known Modern Composers.” Aesthete Magazine, August 1928, p. 1, 19-20.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Who Are the Composers in America.” Musvkai Revoliutsiia [Music and Revolution, Moscow] (1929).
Source: Journal
Reprints:

Cowell, Henry. “Who Are the Composers in America?” <i>Russkv <br></i><i>Golos New York </i>(February 23, 1930).

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Music.” Americana Annual (1929): 501.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings