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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Dickinson, Peter

Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.
Notes:

Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).

Source: Journal
VI. Topical Studies
T. Ives in Music Education
Year: 1974
Complete Citation:
Dickinson, Peter. “Ivesiana.” Musical Times 115/1581 (November 1974): 947-948.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1986
Complete Citation:
Dickinson, Peter. “Review of recordings: Crumb and Ives.” American Music 4/2 (Summer 1986): 233-235.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2000
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - R Clarke; Ives.” Gramophone, Vol. 78 (2000): 71.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Ives.” Gramophone, Vol. 84 (2006): 76.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - Ives: “Three Page Sonata”; Three Quarter-Tone Pieces for Two Pianos; Wyschnegradsky: “Etude sur le ‘Carré Magique Sonore’”; 24 Preludes in Quarter-Tone System - Nos. 1, 4, 5, 7, 9, 14, 17-18, 20, 23-24.” Gramophone, Vol. 84 (2007): 81.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Dickinson, Peter. “Reviews: Vocal - Ives: “The Light That Is Felt.”” Gramophone, Vol. 86 (2009): 96-97.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Instrumental Reviews: “Responses to Ives.”” Gramophone, Vol. 88 (2010): 75.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Schuman: Symphony No. 8; “Night Journey”; Ives/Schuman: Variations on “America.”” Gramophone, Vol. 88 (2010): 67.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - Symphonies - No. 1; No. 2.” Gramophone, Vol. 92 (2015): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2016
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - “Orchestral Works,” Vol. 2.” Gramophone, Vol. 93 (2016): 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dineen, Murray

Year: 1999
Complete Citation:
Dineen, Murray. “Pianist’s Mastery Impressive: Final Edition.” The Ottawa Citizen, April 24, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Distler, Jed

Year: 2000
Complete Citation:
Distler, Jed. “Music for the Millennium.” Gramophone, Vol. 77 (2000): A3-A6.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews