decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1951
Complete Citation:
Goosens, Eugene. Overtures and Beginners: A Musical Autobiography. London, United Kingdom: Metheun Publishing, 1951.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gordon, Philip

Year: 1947
Complete Citation:
Gordon, Philip. “America in American Music.” Common Ground (Spring 1947).
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Gorge, Emmanuel

Year: 2003
Complete Citation:
Gorge, Emmanuel. L’imaginaire amérindien et le modernisme. Paris, France: Éditions L’Harmattan, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Goss, Glenda Dawn

Year: 1993
Complete Citation:
Goss, Glenda Dawn. Music and the Moderns: The Life and Works of Carol Robinson. Metuchen, NJ: Scarecrow Press, 1993.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Goss, Madeleine

Year: 1970
Complete Citation:
Goss, Madeleine. Modern music-makers: contemporary American composers. Westport, CT: Greenwood Press, 1970.
Source: Book
VI. Topical Studies
L. Ives and America

Goss, Madeline

Year: 1955
Complete Citation:
Goss, Madeline. “Charles Ives.” Diapason II [Milan] 5/1 (January 1955): 5-14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gottschalk, Kurt

Year: 2016
Complete Citation:
Gottschalk, Kurt. “Sirius Quartet: Seriously Compatible.” Down Beat: Jazz, Blues & Beyond, Vol. 83, No. 9 (2016): 28.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gray, Pat

Year: 1975
Complete Citation:
Gray, Pat. “Interview with Bernard Herrmann.” In Knowing the Score: Notes on Film Music. Edited by Irwin Bazelon. New York, NY: Van Nostrand Reinhold, 1975: 232-235.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Green, Andrew

Year: 2005
Complete Citation:
Green, Andrew. Books: Review of Charles Ives and Aaron Copland: A Listener’s Guide, by Daniel Felsenfeld. Classical Music (2005): 55.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Green, David

Year: 2006
Complete Citation:
Green, David. “Great Contrast Between Ives’ Quartets: Final Edition.” Regina Leader-Post, November 18, 2006.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Green, Judith

Year: 1999
Complete Citation:
Green, Judith. “ASO Concert: Superior Music, Small Audience: Home Edition.” The Atlanta Journal-Constitution, October 23, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Green, Judith. “American Ingenuity Appeals to Spano.” Atlanta Journal/Atlanta Constitution, February 13, 2000: sec. L, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Greenfield, Edward

Year: 1959
Complete Citation:
Greenfield, Edward. “Charles Ives and Aaron Copland.” The Guardian, September 5, 1959, 5.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Greenfield, Edward. “Ives from England.” High Fidelity/Musical America 22/4, April 1972, 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Greenfield, Philip

Year: 2012
Complete Citation:
Greenfield, Philip. “Heaven to Earth.” American Record Guide, Vol. 75, No. 4 (2012): 266.
Source: Magazine (recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Greenfield, Philip. “Adagio: Consideration of a Serious Matter.” American Record Guide, Vol. 77, No. 2 (2014): 186.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Greiff, George

Year: 1960
Complete Citation:
Greiff, George. “U.S. Hardly Knows its Great Composer.” The Atlanta Journal and the Atlanta Constitution, October 9, 1960, 4D.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gresser, Clemens

Year: 2009
Complete Citation:
Gresser, Clemens. “Besprechungen: Gregor Herzfeld “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Musiktheorie, Vol. 24, No. 4 (2009): 375-379.
Source: Journal (article review/response)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers