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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Helm, Everett

Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Helms, Hans G.

Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1974
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives — Leben, Werk und Einfluß auf die heutige Generation.” Neue Zeitschrift für Musik 125/10 [1964]: 425-433.
Source: Journal
Reprints:

Helms, Hans G. “Der Komponist Charles Ives.” Liner notes for <i>Die Welt des Charles Ives</i>. CBS 77406, 1974, LP.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hemming, Roy

Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Henahan, Donal

Year: 1963
Complete Citation:
Henahan, Donal. “Charles Ives’ Music Slips Toward Obscurity: Sports Final, NW Edition.” Chicago Tribune, June 4, 1987.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Henahan, Donal . “He Made Composing Respectable Here.” The New York Times. November 8, sec. 2: 17, 20.
Notes:

“Copland had done what nobody, not even Ives or MacDowell before him, had accomplished. He made com-posing in America respectable and made it pay too.” Quotes Copland about Ives 114 Songs. Questions Virgil Thom-son’s assessment.

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Henahan, Donal. “Ravel: Charles Ives and His America.” The New York Times, November 30, 1975, 291.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Henahan, Donal. “Music: Brass Quintet.” The New York Times, March 26, 1975, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.
Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. “Ives and Brahms by Cleveland Orchestra.” The New York Times, May 16, 1987, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Henahan, Donal. “Bernstein and the Philharmonic.” The New York Times. April 10, 1987, sec. C: 3.
Notes:

In re-evaluating the work, the writer points out that some have criticized Ives for not handling his material musically, but this work shows “artistic unity.” Symphony No. 4 was to have been performed on the program also. A favorable review of performance of Symphony No. 2 (April 9, 1987: New York Philharmonic; Leonard Bernstein, conduc-tor).

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances