Bibliography

Hume, Paul

Year: 1972

Complete Citation:

Hume, Paul. “Ives Aura.” The Washington Post and Times Herald, February 16, 1972, B9.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1974

Complete Citation:

Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 1974

Complete Citation:

Hume, Paul. “Moving Enigma.” The Washington Post. September 23, 1974, B11.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1977

Complete Citation:

Hume, Paul. “An Evening of Wagner, Debussy and Ives: Music Notes.” The Washington Post, November 22, 1977, B8.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Year: 1979

Complete Citation:

Hume, Paul. “An Ear for Charles Ives’ Words and Notes.” Washington Post. March 11, 1979, sec. I, 5.

Notes:

Brief overview of Ives and his music as back- ground to forthcoming program by Chamber Orchestra of New England (James Sinclair, conductor).

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hüppe, Eberhard

Year: 2012

Complete Citation:

Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.

Source: Book

VI. Topical Studies
K. Stylistic Influences on Ives

Year: 2012

Complete Citation:

Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.

Source: Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hurley, Frank H.

Year: 1969

Complete Citation:

Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.

Notes:

Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.

Source: Lecture

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Hutton, Edna Rait

Year: 1955

Complete Citation:

Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.

Notes:

An obituary.

Source: Journal

VI. Topical Studies
W. Obituaries

Year: 1963

Complete Citation:

Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.

Source: Journal

VI. Topical Studies
S. Reception Studies and Related Scholarship

Year: 1965

Complete Citation:

Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.

Source: Journal

VI. Topical Studies
U. Institutions and Ives’ Legacy

Huxhold, John

Year: 2010

Complete Citation:

Huxhold, John. “Concerts Everywhere: St. Louis Symphony - Tippett: “A Child of Our Time.”” American Record Guide, Vol. 73, No. 1 (2010): 30.

Source: Magazine

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hwang, Mi Kyung

Year: 2010

Complete Citation:

Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.

Source: Magazine

VI. Topical Studies
G. Music Theory Analyses

Isacoff, Stuart

Year: 2010

Complete Citation:

Isacoff, Stuart. “Classical Music: Denk and Ives, Partners in Pianism.” The Wall Street Journal, October 19, 2010.

Notes:

Eastern Edition

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Isham, Howard

Year: 1973

Complete Citation:

Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.

Source: Journal

VI. Topical Studies
I. Compositional Process

Ivashkin, Alexander

Year: 2013

Complete Citation:

Ivashkin, Alexander and John Cage. “John Cage in Soviet Russia.” Tempo, vol. 67, no. 266 (2013): 18-27.

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2016

Complete Citation:

Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.

Source: Chapter in Book

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ives, Charles

Year: 1920

Complete Citation:

Ives, Charles. How to Read the Rate Book. New York, NY: Ives & Myrick, 1920.

Source: Book

VI. Topical Studies
D. Insurance

Year: 1968

Complete Citation:

Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.

Source: Chapter in Book

VI. Topical Studies
L. Ives and America

Year: 1971

Complete Citation:

Ives, Charles. “Thoreau.” In Henry David Thoreau: a profile. New York, NY: Hill and Wang, 1971.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bibliography

Genres

Hume, Paul

Hüppe, Eberhard

Hurley, Frank H.

Hutton, Edna Rait

Huxhold, John

Hwang, Mi Kyung

Isacoff, Stuart

Isham, Howard

Ivashkin, Alexander

Ives, Charles