Josephson, Nors S.
Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Kaenel, André
Year: 1986
Complete Citation:
Kaenel, André. “Les transcendentalists americaines.” Contrechamps 7 (1986): 99-109.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Kager, Reinhard
Year: 2001
Complete Citation:
Kager, Reinhard. “Stille Einkehr: Tirol auf den Spuren eines “besseren Amerika.”” Österreichische Musikzeitschrift, Vol. 56, No. 6 (2001): 66-67.Source: Journal
VI. Topical Studies
L. Ives and America
Kahn, Eve M.
Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved.” The New York Times, February 28, 2014, C26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kakinuma, Toshie, and Mamoru Fujieda
Year: 1989
Complete Citation:
Kakinuma, Toshie, and Mamoru Fujieda. “‘I Am One of Mr. Ives' Legal Heirs’: An Interview with Lou Harrison.” Sonus: A Journal of Investigations into Global Musical Possibilities 9/2 (Spring 1989): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kammerer, Rafael
Year: 1960
Complete Citation:
Kammerer, Rafael. “Orchestras of America Offers Lincoln Program.” Musical America 80, no. 3 (March 1960): 24.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kamper, Dietrich
Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Kandell, Leslie
Year: 2004
Complete Citation:
Kandell, Leslie. “Getting Around to Ives - The NY Phil: Later than Some, But Catching Up.” American Record Guide, Vol. 67, No. 5 (2004): 11-13.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Kandell, Leslie. “Life in the Eye - Tanglewood: Music to Look At”. American Record Guide, Vol. 72, No. 6, (2009): 16-17.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kandell, Leslie. “New York Philharmonic: Park Avenue Armory Concert.” American Record Guide, Vol. 75, No. 5 (2012): 32-33.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kaptanis, Arthur
Year: 1989
Complete Citation:
Kaptanis, Arthur. “Wolff’s Ives Crisp, Clear but Lacks Heft: FINAL Edition.” The Gazette (Montreal), March 22, 1989.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Karl, Frederick R.
Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.Notes: “In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Karolyi, Otto
Year: 1996
Complete Citation:
Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.Source: Chapter in Book
VI. Topical Studies
D. Insurance
Karr, Harrison
Year: 1933
Complete Citation:
Karr, Harrison. “The Pan Americans.” Trend 1, 4 (January-March 1933): 141-143.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Karrel, John
Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kart, Larry
Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Kaskowitz, Sheryl
Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives
Kassler, Jamie Croy
Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kastendieck, M.
Year: 1963
Complete Citation:
Kastendieck, Miles. “Philharmonic Exits in Top Form.” The Christian Science Monitor, May 31, 1963, 4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kastendieck, Miles. “Ives’ Fourth Blooms at Last: Typical of Ives.” The Christian Science Monitor, May 5, 1965, 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances