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Bibliography

Kramer, Lawrence

Year: 1984
Complete Citation:
Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kramer, Leighton

Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Krehbiel, Ken

Year: 1988
Complete Citation:
Krehbiel, Ken. “Vintage Ives at the Terrace: FINAL Edition.” The Washington Post, October 6, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kreigsman, Alan M.

Year: 1968
Complete Citation:
Kreigsman, Alan M. “Record Player: A.U.’s Mandel Adds to Ivesiana.” The Washington Post and Times Herald, April 14, 1968, E8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Krejmer, Lorens

Year: 2006
Complete Citation:
Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kremenliev, Boris

Year: 1967
Complete Citation:
Kremenliev, Boris. “Pierre Boulez wirkt beim Ojai--Festival mit Three Places in New England.” Melos 34 (September 1967): 313.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kriegsman, Alan

Year: 1967
Complete Citation:
Kriegsman, Alan. “Singers Perform with Gusto, Style.” Washington Post, October 1967, sec. D, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kriegsman, Alan M.

Year: 1967
Complete Citation:
Kriegsman, Alan M. “Ives Sonata Given Fresh Treatment.” The Washington Post and Times Herald, August 4, 1967, B6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Kriegsman, Alan M. “Gregg Smith Singers Perform Ives’ Music with Genius.” The Washington Post and Times Herald, October 26, 1967, D23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Reminders of Boldest and Best.” The Washington Post and Times Herald, September 5, 1972, B4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Testament to a Genius: Testament.” The Washington Post and Times Herald, September 7, 1972, D1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kruger, Steven

Year: 2015
Complete Citation:
Kruger, Steven. Review of IVES: Symphonies Nos. 1 and 2. Fanfare: The Magazine for Serious Record Collectors, Vol. 38, No. 6 (2015): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Krull, Kathleen and Kathryn Hewitt

Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kühn, Clemens

Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses