Image
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.
Bibliography
Genres
Milligan, Terry G.
Year: 1984
Source: Journal
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Mogill, Kenneth M.
Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Moldenhauer, Hans
Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.Notes:
Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Molkhou, Jean-Michel
Year: 2015
Complete Citation:
Molkhou, Jean-Michel. “Les disques de A à Z: Récitals: Quatuor Schumann.” Diapason: le magazine du disque et de la musique vivante (2015): 128-129.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Monelle, Raymond and Robert Hatten
Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Moore, David W.
Year: 1968
Complete Citation:
Moore, David W. “John Kirkpatrick: ‘Concord’ Revisited.” The American Record Guide 35, no. 7 (December 1968): 546-547.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - Universe Symphony.” American Record Guide, Vol. 68, No. 5 (2005): 121-122.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Moore, David W. “Guide to Records: Ives - “Songs,” “Instrumental Pieces,” “Piano Pieces.” American Record Guide, Vol. 68, No. 4: 132.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Moore, David W. “Collections: “New Worlds.”” American Record Guide, Vol. 73, No. 5 (2010): 243.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Moore, John David
Year: 2013
Complete Citation:
Moore, John David. Ravel: Trio; Shostakovich: Trio 1; Ives: Trio. American Record Guide, Vol. 76, No. 1 (2013): 137-138.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Moore, Milton
Year: 2010
Complete Citation:
Moore, Milton. “The Day, New London, Conn., Milton Moore Column: Mr. Denk, Meet Mr. Ives.” McClatchy - Tribune Business News, April 25, 2010.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Moor, Paul
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Moore, Robert A.
Year: 2006
Complete Citation:
Moore, Robert A. “Ives: Songs.” American Record Guide, Vol. 69, No. 1 (2006): 134.Source: Journal (review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2007
Complete Citation:
Moore, Robert A. Guide to Records - Ives: Songs. American Record Guide, Vol. 70, No. 3 (2007): 114.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Morgan, Robert
Year: 1974
Complete Citation:
Morgan, Robert. “Let's Hear It for Charlie Ives!” High Fidelity/Musical America 24/10, October 1974, 79-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Morgan, Robert P. “Let’s Hear It from Charlie Ives!” High Fidelity 24, no. 10 (October 1974): 79-81.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1978
Complete Citation:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” 19th-Century Music Vol. 2 (1978), pp. 72-81.Source: Journal
Reprints:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Charles Ives and the Classical </i>Tradition, edited by Geoffrey Block and J. Peter Burkholder, 75-86. New Haven, CT: Yale University Press, 1996. * Morgan, Robert P. “Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Music Theory, Analysis, and Society: Selected Essays</i>, 171-180. Surrey, England: Ashgate, 2015.
VI. Topical Studies