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Bibliography

Paul, David C.

Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Paul, James

Year: 1970
Complete Citation:
Paul, James. “Music of Organ, Ives and Voice.” Jewish Advocate, 1970, A4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Payne, Anthony

Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Pelaccia, Bonnie Pettengill

Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.
Source: Journal
VI. Topical Studies
L. Ives and America

Perlis, Vivian

Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1988
Complete Citation:
Perlis, Vivian. “Oral History as Biography: Ives, Copland, Ellington, Cage, and Others.” Lecture, Cornell University Uni-versity Lecture Series, Ithaca, NY, January 27, 1988.
Notes:

Describes the methodology and the impact the subjects had on other composers. Audio cassette made from lecture in Cornell University Library.

Source: Lecture Series
VI. Topical Studies
Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Perlis, Vivian, and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.
Source: Book
VI. Topical Studies
F. Selected Archival Materials

Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists

Year: 1996
Complete Citation:
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists. “Arts, Business, and Politics [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Pérez Adrián, Enrique

Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Perkins, Francis D.

Year: 1925
Complete Citation:
Francis D. Perkins, “Quarter-Tone Feature at Referendum Concert.” New York Herald Tribune (February 15, 1925): 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Perkins, Francis D. “Pan-American Composers Give Spring Program.” New York Herald Tribune, April 16, 1934, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Perkins, Francis D. “Kirkpatrick Plays Program of Ives’ Work.” New York Herald Tribune (February 25, 1939): 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1940
Complete Citation:
Perkins, Francis D. “Music.” New York Herald Tribune, January 15, 1940, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1947
Complete Citation:
Perkins, Francis D. “Patricia Travers: Violinist Offers Charles Ives Sonata No. 2 in Program.”
New York Herald Tribune, December 17, 1947, 27.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Perkins, Francis D. “Boston Symphony: Program Includes Orchestral Set by Charles Ives.” New York Herald Tribune (1926-1962), Feb 22, 1948, 39.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1957
Complete Citation:
Perkins, Francis D. “News Events in the World of Music.” New York Herald Tribune, November 10, 1957, D5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Perkins. Francis D.

Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship