Chmaj, Betty E.
Year: 1986
Complete Citation:
Chmaj, Betty E. “The Journey and the Mirror: Emerson and the American Arts.” In Prospects 10: An Annual of American Culture Studies, edited by Jack Salzman, 353-408. Cambridge, United Kingdom: Cambridge University Press, 1985.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes: <i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints: Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Cizmic, Maria
Year: 1999
Complete Citation:
Cizmic, Maria. “Composing the Pacific: Interviews with Lou Harrison.” Echo: A Music Centered Journal, Vol. 1, No. 1 (1999): np.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Clarke, Gary E.
Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Clark, Robin C.
Year: 1965
Complete Citation:
Clark, Robin C. “Plaque Marking Charles Ives’ Birthplace Dedicated.” Danbury News-Times. June 28, 1965, 3.Source: Newspaper
VI. Topical Studies
W. Obituaries
Clarkson, Austin
Year: 1974
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 241-243. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After,” 241-243. In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 241-243. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Cleary, David
Year: 2005
Complete Citation:
Cleary, David. “Concert Reviews: Just Intonations.” 21st Century Music, Vol. 12, No. 4 (2005): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Clements, Andrew
Year: 1994
Complete Citation:
Clements, Andrew. “Arts: Proms: Short, Sharp Shock Copland Disappoints but Ives Thrills in Tilson-Thomas’s Varied LSO Programme.” The Guardian, July 19, 1994.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Clements, Andrew. “Review: Ear-Opener from a Fertile Mind Charles Ives: The Unanswered Question, Barbican Centre/Radio 3.” The Guardian, January 22, 1996.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Clements, Andrew. “Review: Classical: The Ives we should Never have Heard: CBSO/Sloane: Symphony Hall, Birmingham 2/5.” The Guardian, February 27, 2003, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Review: Ives’s Masterpiece Makes Rare Appearance: Classical: Pierre-Laurent Aimard: Aldeburgh Festival 5/5.” The Guardian, June 16, 2004, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Clements, Andrew. “Friday Review: Dissonant and Dizzying: Andrew Clements is Impressed by how Glorious Charles Ives can Sound in the Right Hands.” The Guardian, May 7, 2004: 19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2008
Complete Citation:
Clements, Andrew. “Film & Music: Classical Reviews: Ives: Songs 1-6.” The Guardian, November 21, 2008, 14.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Clough, Stephen B.
Year: 1946
Complete Citation:
Clough, Stephen B. A Century of American Life Insurance, A History of The Mutual Life Insurance Company of New York, 1843-1943, 282. New York, NY: Columbia University Press, 1946.Source: Book
VI. Topical Studies
D. Insurance
Clüver, Claus
Year: 1991
Complete Citation:
Clüver, Claus. “Musical Trainrides in the Classroom.” Indiana Theory Review 12 (1991): 163-1-85.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Coeuroy, Andre
Year: 1931
Complete Citation:
Coeuroy, Andre. “Revue.” Grinooire 19, VI (June 1931).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cohn, Arthur
Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.Source: Journal
VI. Topical Studies
L. Ives and America
