Image
decorative banner image

Bibliography

Copland, Aaron and Vivian Perlis

Year: 1984
Complete Citation:
Copland, Aaron, and Vivian Perlis. Copland: 1900 through 1942. New York, NY: St. Mar-tin’s Griffin, 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Copland, Aaron and Vivian Perlis. Copland Since 1943. New York, NY: St. Martin's Press, 1989.
Notes:

Several Citations for Ives.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cordes, Joan Kunselman

Year: 1976
Complete Citation:
Cordes, Joan Kunselman. “A new American development in music: some characteristic features extending from the legacy of Charles Ives.” Ph.D Dissertation, The Louisiana State University and Agricultural and Mechanical College, 1976.
Source: Ph.D Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Corner, Philip

Year: 1972
Complete Citation:
Corner, Philip. “Thoreau, Charles Ives, and contemporary music.” In Henry David Thoreau: Studies and Commentaries, edited by George Brenner, Paul A. Doyle, and Walter Harding.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Corner, Philip. “Charles Ives.” Soundings: Ives. Ruggles, Varèse (Spring 1974): 135-197.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Corre, Christian

Year: 1988
Complete Citation:
Corre, Christian. “Ives selon Cage: ou, De la citation a l’indetermination.” Revue d’Esthetique 13-15 (1988): 141.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cott, Jonathan

Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cotton, Martin

Year: 1999
Complete Citation:
Cotton, Martin. “Plug in and Play.” Music Teacher, Vol. 78, No. 2 (1999): 24-25.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Courrier, Kevin

Year: 2002
Complete Citation:
Courrier, Kevin. Dangerous kitchen: the subversive world of Zappa. Toronto, Canada: ECW Press, 2002.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Courtney, Marian

Year: 1989
Complete Citation:
Courtney, Marian. “Pianist with Many Talents and a Mission.” The New York Times, May 14, 1989, section XII, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowan, Angela

Year: 2015
Complete Citation:
Cowan, Angela. “Keeping the Home Fires Burning.” Peninsula News Review, May 3, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowan, Robert

Year: 1996
Complete Citation:
Cowan, Robert. “Classical BBC Charles Ives Festival Barbican Centre, London; 'A Radical Avant-Gardist, a Showman and an Introvert, Responsive to Vocal Polish Yet Maddeningly Inscrutable.’” The Independent, January 24, 1996, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowell, Henry

Complete Citation:
Cowell, Henry. “American Composers.” Ohio State University Bulletin 36/3 (September 15, 1931).
Source: Essay in Conference Proceedings
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1925
Complete Citation:
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches
Year: 1928
Complete Citation:
Cowell, Henry. “Compositores Modernos de los Estados Unidos.” Musical Havana 1 (November-December 1928): 124-127.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “New Terms for New Music.” Modern Music 5/4 (May--June 1928): 21--27.
Notes:

Uses chords in <i>Premonitions </i>as examples of poly--harmonic succession.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Cowell, Henry. “Four Little Known Modern Composers.” Aesthete Magazine, August 1928, p. 1, 19-20.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1929
Complete Citation:
Cowell, Henry. “Who Are the Composers in America.” Musvkai Revoliutsiia [Music and Revolution, Moscow] (1929).
Source: Journal
Reprints:

Cowell, Henry. “Who Are the Composers in America?” <i>Russkv <br></i><i>Golos New York </i>(February 23, 1930).

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers