Dahlhaus, Carl
Year: 1970-1971
Complete Citation:
Dahlhaus, Carl. “Aussenseiter der Neuen Musik: Charles Ives und Edgard Varese.” In "Bericht über den internationalen Kongreß" Bonn 1970, edited by Carl Dahlhaus, 299. Kassel, Germany: Bärenreiter Verlag, 1971.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Daniel, Oliver
Year: 1967
Complete Citation:
Daniel, Oliver. “Lou Harrison.” BMI: The Many Worlds of Music (Jan-uary 1967): 10.Notes: Numerous Ives references; mentions the premiere of Sym-phony No. 3 (1956 April 5) and Harrison’s orchestral tribute on Ives's death, “At the Tomb of Charles Ives.”
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1968
Complete Citation:
Daniel, Oliver. “Ives Is A Four-Letter Word.” The Saturday Review 51, no. 21 (May 25, 1968): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Daniel, Oliver. “Henry Cowell.” Stereo Review (December 1974).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1982
Complete Citation:
Daniel, Oliver. Stokowski: A Counterpoint of View. New York, NY: Dodd, Mead, and Company, 1982.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Danler, K. R.
Year: 1985
Complete Citation:
Danler, K.R. “Zwei deutsche Erstaufführungen Eleazar de Carvalho dirigierte die MUSICA VIVA.” Das Orchester 33 (February 1985): 127.Notes: Discusses Symphony No. 4.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Danner, Gregory
Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.Source: Book
VI. Topical Studies
L. Ives and America
Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
Davenport, Linda G.
Year: 1990
Complete Citation:
Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.Notes: Applies to Sonata No. 2, "Concord, Mass., 1840-1860," for piano.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
Davis Jr., Thomas B.
Year: 1938
Complete Citation:
Davis, Jr., Thomas B. Chronicles of Hopkins Grammar School, 1660--1935, Containing a Life of the Founder Together with School Records and Reminiscences Covering 275 Years, 387, 464--470. New Haven, CT: Hopkins Gram-mar School, 1938.Source: Book
VI. Topical Studies
N. Ives’ Childhood
Davis, Peter G.
Year: 1968
Complete Citation:
Davis, Peter G. “Mandel Offers Ives Premieres.” The New York Times, March 24, 1968, 92.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Davis, Peter G. “David Collins Plays Ives Violin Sonatas.” The New York Times, October 27, 1974, 62.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1976
Complete Citation:
Davis, Peter G. “Concert: ‘Charles Ives show,’ Outdoors: Open-Air Performance is Given Twice Paul Winter, Consort at Lincoln Center.” The New York Times, September 5, 1976, 39.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1984
Complete Citation:
Davis, Peter G. “Ives Thrives.” New York 17, no. 14 (April 2, 1984): 58.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Davis, Ronald L.
Year: 1980
Complete Citation:
Davis, Ronald L. "MacDowell and Ives." In A History of Music in American Life, Vol. 2: The Gilded Years, 1865-1920, 108-38. Huntington, NY: Robert Krieger, 1980.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Davidson, Audrey
Year: 1970
Complete Citation:
Davidson, Audrey. “Transcendental Unity in the Works of Charles Ives.” American Quarterly 22 (Spring 1970): 35-44.Source: Journal
VI. Topical Studies
