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Bibliography

Davidson, Colleen

Year: 1968-69, 1970-71
Complete Citation:
Davidson, Colleen. “Winston Churchill and Charles Ives: The Progressive Experience in Literature and Song.” Student Musicologists at Minnesota 3 (1968-69): 168-94, and 4 (1970-71): 154-80.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Davidson, Justin

Year: 1996
Complete Citation:
Davidson, Justin. “The Expansion of a Charles Ives Sonata.” Newsday. February 28, 1996, B7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Davidson, Justin. “Small Tones of a Big Sound: All Editions.” Newsday, June 8, 1996.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Davidson, Justin. “Music Review, A Different Drummer, the Ives of March: All Editions.” Newsday, June 1, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Davison, Justin

Year: 2004
Complete Citation:
Davidson, Justin. “Unsettling Notes, the Philharmonic Celebrates Charles Ives Complicated and Confounding Music: ALL EDITIONS.” Newsday, May 9, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

de Campos, Augusto

Year: 1969
Complete Citation:
Campos, Augusto de. “Ives salve a America.” O Estado de São Paulo. August 30, 1969.
Notes:

Translates to Ives Saves America.In addition, he projects the text of “Like a Sick Eagle” as if Webern had set it (p. 324 in <i>Balango da Bossa e outras bossas</i>).

Source: Newspaper
Reprints:

Campos, Augusto de. “Ives salve a America.” In <i>Balango da Bossa e Outras Bossas</i>, 273-282. São Paulo, Brazil: Editora Per-spectiva, 1993.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

de la Fuente, Eduardo

Year: 2004
Complete Citation:
de la Fuente, Eduardo. “Max Weber and Charles Ives: The Puritan as Cultural Modernist.” Journal of Classical Sociology 4.2 (July 2004): 191-214.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

de Leeuw, Reinbert

Year: 1975-76
Complete Citation:
de Leeuw, Reinbert. “Charles Ives, Zijn Muziek: Inleidung, Ives’ Gebruik van Muzikaal Materiaal.” [From J. Bernlef and Reinbert de Leeuw, Charles Ives.] Translated by Bertus Polman. Student Musicologists at Minnesota 6 (1975-76): 128-191.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

De Schloezer, Boris

Year: 1932
Complete Citation:
Schloezer, Boris de. “Revues.” Les Dernières Nouvelles, March 18, 1932, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
de Schloezer, Boris. “Revues.” Les Dernières Nouvelles [Paris], March 11, 1932, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Deeb, Ellen Clark

Year: 1977
Complete Citation:
Deeb, Ellen Clark. Famous American composers: the story of American music, from folk to jazz. Milwaukee, WI: Ideals Publishing Corporation, 1977.
Source: Book
VI. Topical Studies
L. Ives and America

Deming, Clarence

Year: 1915
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.
Source: Book
VI. Topical Studies
O. Ives and Yale

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Denave, Laurent

Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Denby, David

Year: 1999
Complete Citation:
Denby, David. “The Critics: A Critic at Large - The Gift to Be Simple.” The New Yorker, Vol. 75, No. 38 (1999): 102-111.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Denhoff, Michael

Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles