Image
Complete Citation:
Erikson, Matthew. “Be Aware of Ives of March: Statewide Edition.” The Hartford Courant, March 9, 2006.
Bibliography
Genres
Erikson, Matthew
Year: 2006
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Etheridge, Elizabeth
Year: 1991
Complete Citation:
Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
D. Insurance
D. Insurance
Etheridge, Jerry
Year: 1965
Complete Citation:
Etheridge, Jerry. “Knitzer, Loesser Prove First-Rate.” The Atlanta Constitution, October 16, 1965: 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Ewen, David
Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.Notes:
Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.Notes:
Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Eyer, Ron
Year: 1968
Complete Citation:
Eyer, Ron. “Avant-Garde Package by Connecticut Yankee.” Newsday, August 30, 1968, 34A.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
F.A.K.
Year: 1951
Complete Citation:
F.A.K. “Carnegie Hall. N.Y. Philharmonic-Symphony, Leonard Bernstein. Ives—Symphony No. 2.” Musical Courier 143, no. 9 (15 March 1951): 12.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Fannain, Guido
Year: 1932
Complete Citation:
Fannain, Guido. “Revue.” Le Resseona Musicale 2/5, March 1932.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Farwell, Arthur
Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes:
Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Feder, Stuart
Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.Source: Journal
Reprints:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.Source: Journal
Reprints:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” The Annual of Psychoanalysis Vol. 9 (1981): 265-316.Source: Journal
Reprints:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1993
Complete Citation:
Feder, Stuart. “The ponds of Thoreau and Charles Ives.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Feder, Stuart. “Homesick in America: The Nostalgia of Antonín Dvořák and Charles Ives.” In Dvořák in America, 1892-1895. Portland, OR: Amadeus Press, 1993.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Feder, Stuart. “An American Diary in Music.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Feder, Stuart. “Charles Ives’s ‘Transcendental Tune of Con-cord’.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy