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Bibliography

Garrett, Charles Hiroshi

Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. “Chinatown, Whose Chinatown?: Defining America’s Borders with Musical Orientalism.” In Struggling to Define a Nation: American Music and the Twentieth Century, 1st ed., 121-164. Berkeley, CA: University of California Press, 2008.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Gatito, El

Year: 2007
Complete Citation:
Gatito, El. “Art of Darkness.” Philadelphia Weekly, June 27, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gawthrop, Daniel E.

Year: 1988
Complete Citation:
Gawthrop, Daniel E. “Richard Bales’ Early Ives.” The Washington Post, May 30, 1988, C2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block and J. Peter Burkholder, compilers

Year: 1888-1951
Complete Citation:
Geoffrey Block and J. Peter Burkholder, compilers. “Selected Reviews 1888-1951.” In Ives and His World, edited by J. Peter Burkholder, 273-362. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Geoffrey Block, compiler

Year: 1996
Complete Citation:
Geoffrey Block, compiler. “Selected Reviews 1888-1951.” In Charles Ives and His World, edited by J. Peter Burkholder, 273-360. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

George, Phillip; Alburger, Mark

Year: 2003
Complete Citation:
George, Phillip and Mark Alburger. “Concert Reviews: Making the Most of Not Making the Most; Three (or Four) Great Orchestrators at San Francisco Symphony.” 21st Century Music, Vol. 10, No. 6, (2003): 3.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gereben, Janos

Year: 2000
Complete Citation:
Gereben, Janos. “Concert Reviews: The Fourth of Faith.” 21st Century Music, Vol. 7, No. 8, (2000): 21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Gereben, Janos. “Views, Reviews, Previews: ‘Rake’ Progresses at SFO; Ives Rules at Symphony ‘Mavericks.’” Oakland Post, 2000.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Gerstein, Mordecai

Year: 2002
Complete Citation:
Gerstein, Mordecai. What Charlie Heard. New York: Frances Foster, 2002.
Source: Book
VI. Topical Studies
N. Ives’ Childhood

Geselbacht, Raymond H.

Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975
Complete Citation:
Geselbacht, Raymond H. “Transcendental Renaissance in the Arts: 1890-1920.” New England Quarterly LIII (1975): 463-486.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Gibbens, John Jeffrey

Year: 1985
Complete Citation:
Gibbens, John Jeffrey. “Debussy’s Impact on Ives: An Assessment.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1985.
Source: Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gibbons, William

Year: 2008
Complete Citation:
Gibbons, William. “‘Yankee Doodle’ and Nationalism, 1780-1920.” American Music 26/2 (2008): 246-274.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Gilbert, Steven E.

Year: 1971
Complete Citation:
Gilbert, Steven E. “Carl Ruggles and Total Chromaticism.” Anuario Interamericano De Investigación Musical, vol. 7 (1971): 43-50.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Gilbert, Steven E. “Carl Ruggles (1876-1971): An Appreciation.” Perspectives of New Music, vol. 11, no. 1 (1972): 224-232.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gillespie, Don

Year: 1975-1976
Complete Citation:
Gillespie, Don. “John Becker, the Musical Crusader of St. Thomas College.” Student Musicologists at Minnesota 6 (1975-1976).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Gillespie, Don. “John Becker, Musical Crusader of St. Paul.” Musical Quar-terly 62/12 (April 1976): 195-217.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gillmore, Max

Year: 1976
Complete Citation:
Max Gillmore. “Interview with John Cage [1973].” Contact (Autumn 14, 1976).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gilman, Lawrence

Year: 1939
Complete Citation:
Gilman, Lawrence. “Music: A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances