Gilman, Lawrence
Year: 1939
Complete Citation:
Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.Source: Newspaper
Reprints: Gilman, Lawrence. “A Masterpiece of American Music Heard Here for the First Time.” In <i>Charles Ives and His World</i>, 316-321. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Gilman, Lawrence. “Music: A Masterpiece of American Music Heard Here for the First Time.” New York Herald Tribune, January 21, 1939, 9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ginell, Richard S.
Year: 2002
Complete Citation:
Ginell, Richard S. “Music Review; Chamber Society Revels in Ives’ Iconoclasm: Home Edition.” The Los Angeles Times, March 27, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gingerich, Lora Louise
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Glahn, Denise Von
Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.Source: Book
VI. Topical Studies
L. Ives and America
Glanville-Hicks, Peggy
Year: 1949
Complete Citation:
Glanville-Hicks, Peggy. “William Masselos: Pianist Presents Ives Sonata at Y.M.HA. Hall.” New York Herald Tribune, February 18, 1949, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Gligo, Niksa
Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes: Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Goldberg, Jeff
Year: 1974
Complete Citation:
Jeff Goldberg. “John Cage Interview.” Soho Weekly News (September 12, 1974).Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goldman, Mary K.
Year: 2015
Complete Citation:
Goldman, Mary K. “Concerts, Readings Celebrate Charles Ives.” TCA Regional News, April 7, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Goldman, Mary K. “BPO’s Tribute to Ives Gets Below the Surface of the Music.” TCA Regional News, April 12, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Goldner, Nancy
Year: 1993
Complete Citation:
Goldner, Nancy. “Stravinsky, Ives Tunes - and American Pop.” The Philadelphia Inquirer, January 9, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
Golemba, Henry
Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Goodman, P.
Year: 1987
Complete Citation:
Goodman, P. “Chamber Music, from Mozart to Ives: NASSAU AND SUFFOLK Edition.” Newsday, December 18, 1987.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1989
Complete Citation:
Goodman, P. “A Rare Performance of Ives: Nassau and Suffolk Edition.” Newsday. 1989.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Goodman, Peter
Year: 1992
Complete Citation:
Goodman, Peter. “Ives’ Chaotic Human Comedy.” Newsday, April 13, 1992, 49.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances