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Bibliography

Harrison, Max

Year: 1974
Complete Citation:
Harrison, Max. “Charles Ives American Embassy.” The Times, October 24, 1974, 15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hart, William S.

Year: 1967
Complete Citation:
Hart, William S. “Music for Young People.” The Sun, March 2, 1967, A14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Harvey, Mark Sumner

Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Haskell, Loretta

Year: 2008
Complete Citation:
Haskell, Loretta. “‘Ives’ Evening made Memorable Review.” The Post and Courier (Charleston, SC), May 31, 2008, AA3.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances

Haskins, J.

Year: 1954
Complete Citation:
Haskins, J. “Ives Concert Ends Annual Gallery Series.” The Washington Post and Times Herald, May 3, 1954, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hay, Bryan

Year: 1993
Complete Citation:
Hay, Brian. “It’ll be Orpheus vs. Ives in Concert at Lafayette.” The Morning Call, April 18, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann

Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.
Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hellmons, Matthias

Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Helms, Hans G.

Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1974
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives — Leben, Werk und Einfluß auf die heutige Generation.” Neue Zeitschrift für Musik 125/10 [1964]: 425-433.
Source: Journal
Reprints:

Helms, Hans G. “Der Komponist Charles Ives.” Liner notes for <i>Die Welt des Charles Ives</i>. CBS 77406, 1974, LP.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1978
Complete Citation:
Helms, Hans G. “Berichte: Charles Edward Ives-idealer Amerikaner oder Sozialkritiker? Zum Ives-Jahr.” Beiträge zur Musikwissenschaft, Vol. 20, No. 1 (1978): 16.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Henahan, By D.

Year: 1973
Complete Citation:
Henahan, Donal. “Music: Hiller String Quartet Evokes Ives, Cage.” The New York Times, 1973: 43.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances

Henahan, Donal

Year: 1963
Complete Citation:
Henahan, Donal. “Charles Ives’ Music Slips Toward Obscurity: Sports Final, NW Edition.” Chicago Tribune, June 4, 1987.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances