decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Paul, James

Year: 1970
Complete Citation:
Paul, James. “Music of Organ, Ives and Voice.” Jewish Advocate, 1970, A4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Pelaccia, Bonnie Pettengill

Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.
Source: Journal
VI. Topical Studies
L. Ives and America

Perlis, Vivian

Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1988
Complete Citation:
Perlis, Vivian. “Oral History as Biography: Ives, Copland, Ellington, Cage, and Others.” Lecture, Cornell University Uni-versity Lecture Series, Ithaca, NY, January 27, 1988.
Notes:

Describes the methodology and the impact the subjects had on other composers. Audio cassette made from lecture in Cornell University Library.

Source: Lecture Series
VI. Topical Studies
Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Perlis, Vivian, and Libby Van Cleve

Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.
Source: Book
VI. Topical Studies
F. Selected Archival Materials

Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists

Year: 1996
Complete Citation:
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists. “Arts, Business, and Politics [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Perkins, Francis D.

Year: 1925
Complete Citation:
Francis D. Perkins, “Quarter-Tone Feature at Referendum Concert.” New York Herald Tribune (February 15, 1925): 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Perkins, Francis D. “Pan-American Composers Give Spring Program.” New York Herald Tribune, April 16, 1934, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Perkins, Francis D. “Kirkpatrick Plays Program of Ives’ Work.” New York Herald Tribune (February 25, 1939): 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1940
Complete Citation:
Perkins, Francis D. “Music.” New York Herald Tribune, January 15, 1940, 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1947
Complete Citation:
Perkins, Francis D. “Patricia Travers: Violinist Offers Charles Ives Sonata No. 2 in Program.”
New York Herald Tribune, December 17, 1947, 27.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1948
Complete Citation:
Perkins, Francis D. “Boston Symphony: Program Includes Orchestral Set by Charles Ives.” New York Herald Tribune (1926-1962), Feb 22, 1948, 39.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1957
Complete Citation:
Perkins, Francis D. “News Events in the World of Music.” New York Herald Tribune, November 10, 1957, D5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1960
Complete Citation:
Perkins, Francis D. “Lincoln Day Is Theme at Carnegie Hall.” New York Herald Tribune. February 11, 1960, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Perkins. Francis D.

Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Permoser, Manfred, editor

Year: 2011
Complete Citation:
Permoser, Manfred, editor. “Form Und Sinn: Philosophische Und Kunsttheoretische Positionen.” In Zur Kategorie Der Form in Neuer Musik, by Andreas Holzer, vol. 5, Hollitzer Verlag, Wien (2011): 61-112.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Perrin, Peter

Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives