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Bibliography

Pestalozza, Luigi

Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Peters, Frank

Year: 1969
Complete Citation:
Peters, Frank. “Time Works for Charles Ives.” St. Louis Post--Dispatch, June 22, 1969, sec. B, 5.
Notes:

Second of two general articles has some additional bi-ography. Discusses some songs (Majority, Vita, Son of a Gambolier, Over All the Treetops) and some recordings.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Peters, Frank. “The Insurance Man: Composer.” St. Louis Post--Dis-patch, June 15, 1969, sec. C, 5.
Notes:

First of two general articles. A review of the Cowells’ biography with quotations from it.

Source: Newspaper
VI. Topical Studies
D. Insurance

Peters, P.

Year: 1985
Complete Citation:
Peters, P. “Als een rijzweep in een automobiel: een cultuur sociologische analyse van de sociale en politieke theorieën van Charles E. Ives (1874-1954).” Groningen, Netherlands: 1985.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Peterson, Melody

Year: 1970
Complete Citation:
Peterson, Melody. “Feuerstein Specializes in Ives Songs in Recital.” Los Angeles Times, October 15, 1970, G25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peterson, Thomas Elliott

Year: 1967
Complete Citation:
Peterson, Thomas Elliott. “The Music of Carl Ruggles in Relation to the 20th Century.” In The Music of Carl Ruggles. Ph.D. diss., University of Washington, 1967.
Notes:

Chapter 8 “The Music of Carl Ruggles in Relation to the 20th Century” compares Ruggles to Ives.

Source: Chapter in Ph.D. Disser-tation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Petit, Raymond

Year: 1931
Complete Citation:
Petit, Raymond. “Concerts de musique Americaine.” La Revue Musicale, July-August 1931, 245-246.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pettitt, Stephen

Year: 1931
Complete Citation:
Pettitt, Stephen. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), May 9, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Pettitt, Stephen. “Emily, Ives and an Everchanging Wind: A Edition.” Standard (London, England), May 12, 2003.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Petzet, John M.

Year: 2011
Complete Citation:
Petzet, John M. “Matthew Harris’s Shakespeare Songs The Bard's Lyrics Meet American Popular Music.” Choral Journal, Vol. 52, No. 1 (2011): 34-49.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Peyser, Herbert F.

Year: 1932
Complete Citation:
Peyser, Herbert F. “Music in Berlin.” The New York Times. April 17, 1932, sec. 8: 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pincus, Andrew L.

Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Pincus, Andrew L. “Kalish: ‘Concord,’ Unconquered.” The Berkshire Eagle, October 19, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Piotrowska, Anna G.

Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Music Chronicle: Yaddo and Gurre.” Hound & Horn 5 (July-September, 1932): 666.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pleibel, Fred

Year: 1968
Complete Citation:
Pleibel, Fred. “Music: Ives Enters LP Mainstream.” Los Angeles Times, December 22, 1968, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances