Sachs, Joel
Year: 2012
Complete Citation:
Sachs, Joel. “Henry and His Circle.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sadownik, Tomasz Paweł
Year: 2016
Complete Citation:
Sadownik, Tomasz Paweł. W poszukiwaniu amerykańskiego idiomu muzyki narodowej : analiza “Old American Songs” Aarona Coplanda oraz wybranych pieśni Charlesa Ivesa. Katowice, Poland: Akademia Muzyczna im. Karola Szymanowskiego, 2016.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Saffle, Michael, ed.
Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Sales, Grover
Year: 1984
Complete Citation:
Sales, Grover. “The Strange Case of Charles Ives, or Why is Jazz Not Gay Music.” Gene Lees Jazzleiter 4, no. 5 (December 1984): 1-8.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Salis, Giannis
Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives
Salzedo, Carlos
Year: 1932
Complete Citation:
Salzedo, Carlos. “The American Left Wing.” Eolus 11 (April 1932): 14-28.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Salzman, By E.
Year: 1960
Complete Citation:
Salzman, By E. “Records: Ives: His Symphony no. 2 is Really Sophisticated.” The New York Times, September 25, 1960, X21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Salzman, Eric
Year: 1963
Complete Citation:
Salzman, Eric. “Retrospective of Avant-garde Music.” New York Herald Tribune. December 21, 1963, 6.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1966
Complete Citation:
Salzman, Eric. “Carl Ruggles.” HiFi/Stereo Review (September 1966) 17/3: 53--63.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Samaroff, Olga
Year: 1927
Complete Citation:
Olga Samaroff, “Music.” New York Evening Post (January 31, 1927): 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Saminsky, Lazare
Year: 1931
Complete Citation:
Lazare Saminsky, “Etats-Unis: Concerts et Premieres a New-York.” La Revue Musicale 12, 113 (March 1931): 258.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Chroniques et Notes: États--Unis, La Musique a New York, Philadelphia et Boston.” La Revue Musicale 12/120 (November 1931): 355-356.Notes: Quotation from article: “Boston Chamber Symphony, dirige par Nicolas Slo-nimsky, musicien brillant, nous fit connaitre une <i>Suite </i>[No. 2] tres singuliere et tres americaine de Charles Ives.”
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Saminsky, Lazare. “Encounters Stimulating and Otherwise.” Modern Music IX, 1 (November-December 1931): 39.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Saminsky, Lazare. “Europe and America in Music Today.” Modern Music (January-February 1932): 93--95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sanborn, Pitts
Year: 1927
Complete Citation:
Sanborn, Pitts. “Pro-Musica or Anti?” New York Telegram, January 31, 1927: 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1928
Complete Citation:
Pitts Sanborn. “Pro Musica Gives Its First Referendum Program Concert.” New York Telegram (November 15, 1928): 12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sanders, Donald
Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Sandifer, Edward
Year: 2015
Complete Citation:
Sandifer, C. Edward. “Life and Death - Part 1: (July 2008).” In How Euler Did Even More, 1st ed, 67-73. Washington, DC: Mathematical Association of America, 2015.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions