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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schmidt, Christian Martin

Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Schmitt, Florent

Year: 1931
Complete Citation:
Schmitt, Florent. “Les Concerts. Divers Musique Americaine.” Le Temps, June 20, 1931.
Source: Newspaper
Reprints:

Schmitt, Florent. “Les Concerts. Divers Musique Americaine” (excerpt). In <i>Charles E. Ives: Memos</i>, edited by John Kirkpatrick, 13-14. New York, NY: W.W. Norton, 1972.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Schmitt, Florent. “Les Concerts.” LeTemps, June 20, 1931.
Source: Newspaper
Reprints:

Schmitt, Florent. “Les Concerts.” In <i>Charles Ives and His World</i>, 302-303. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Schmitt, Florent. “Les Concerts." Le Temps (Paris), February 27, 1932: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schneider, Frank

Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.
Notes:

Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schoenberg, Arnold

Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid-ney Cowell, Charles Ives and His Music as a footnote with lines 6-7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro-duction of Schoenberg's note and the correct wording is given on the following page of the present volume. See also B0972 and B1332 (Ward). [The original is held in the Ives Papers at Yale University.]

Source: Letter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.
Source: Letter
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:

Correspondence from Arnold Schoenberg to Charles Ives. 1944. Charles Ives Papers. Irving S. Gilmore Music Library, Yale University, New Haven, CT.

Notes:

A note written on a small piece of paper sent by Gertrud Schoenberg to Ives after the death of her husband. Reads “preserve one’s self esteem and to learn.” Initial printing incorrectly read as: “preserve one's self and to learn.” It first appeared in print in Henry and Sid­ney Cowell, Charles Ives and His Music as a footnote with lines 6­7 incorrectly reading: Initial misinterpretation was probably due to cursory reading of Schoenberg's problematic handwriting. Reprint Second Edition A repro­duction of Schoenberg's note and the correct wording is given on the following page of the present volume. [The original is held in the Ives Papers at Yale University.]

Source: Letter
Reprints:

Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Schoenberg, Arnold. Panegyric to Charles Ives [1944].
Source: Fragment
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schoffman, Nach’m

Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schofield, Edmund A.

Year: 1993
Complete Citation:
Schofield, Edmund A. “Thoreau was somewhere near: the Ives-Thoreau connection.” In Thoreau’s world and ours: a natural legacy. Golden, CO: North American Press, 1993.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schonberg, Harold

Year: 1965
Complete Citation:
Schonberg, Harold. "Complex and Yet Simple.” The New York Times. May 2, 1965, sec. 2: 11.
Source: Newspaper
VI. Topical Studies
Year: 1965
Complete Citation:
Schonberg, Harold. “A Complex Score Is Ives' No. 4.” The New York Times. April 25, 1965, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold. “Music: American Symphony Returns.” The New York Times, October 17, 1967, sec. L, 54.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Don’t Try to Please the Ladies, Rollo.” The New York Times, March 30, 1969, sec. 2, 19.
Source: Newspaper
Reprints:

Schonberg, Harold C. “Ives: Compulsiveness, Complexity, Dissonance and Power.” In <i>Facing the Music</i>, 147-151. New York, NY: Summit Books, 1981.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Schonberg, Harold C. 1973. “Music: A Concert Fuss.” New York Times, January 20, 1973.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schonberg, Harold C.

Year: 1957
Complete Citation:
Schonberg, Harold C. “Ives Score, Composed in Last Century, Bows.” The New York Times, April 25, 1957, 35.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1957
Complete Citation:
Schonberg, Harold C. “Review of the Premiere Performance of Ives’s First String Quartet, April 24, 1957, Museum of Modem Art, New York City, Kohon String Quartet.” The New York Times, April 25, 1957, 35.
Source: Newspaper
Reprints:

Schonberg, Harold C. “Review of the Premiere Performance of Ives’s First String Quartet, April 24, 1957, Museum of Modem Art, New York City, Kohon String Quartet.” <i>American Composers Alliance Bulletin</i> 6, no. 1 (1957): 23.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances