Schonberg, Harold C.
Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Greatest Composer: The Defiant Life of the Brilliant, Eccentric Charles Ives.” Esquire 50/6 (December 1958): 229-235.Source: Magazine
VI. Topical Studies
A. Short Biographies and Profiles
Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Great Composer.” Esquire (December 1958).Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1961
Complete Citation:
Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1962
Complete Citation:
Schonberg, Harold C. “Ives and Ruggles.” The New York Times. March 3, 1962: 16.Notes: A review of recital that included ten Ives songs plus an unspecified encore (1962 March 2: New York; Museum of Modern Art; Composers Showcase; Helen Boatwright, soprano; William Dale, piano).
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
Schonberg, Harold C. “Music: Easley Blackwood as Soloist: Plays Piano Sonatas by Boulez and Ives Leads Off U. of Chicago Contemporary Series.” The New York Times, March 31, 1965, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Schonberg, Harold C. “Music: Stokowski Conducts Ives’s Fourth Symphony in World Premiere after 50 Years.” New York Times, April 27, 1965, 29.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold C. “Music: Ozawa and the Philadelphia: Young Leader Passes First Major Test Brahms, Prokofiev and Ives are Programed.” The New York Times, March 1, 1967, 48.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Evening of New Quotes the Old: Ives and Bartok Lead Parade of Moderns Young Brazilian does a Novelty on Tape.” The New York Times, April 2, 1969, 40.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Minneapolis Opera Makes an Original Try: ‘Horspfal’ has Premiere -- about Indian’s Fall Composer’s Work Uses Charles Ives Devices.” The New York Times, February 17, 1969, 30.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Harold C. Schonberg. “Music : Helps and Thorne: Their Works Played Along with Ives's the Program.” The New York Times, May 10, 1974, 25.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.Source: Newspaper
VI. Topical Studies
L. Ives and America
Schorske, Carl
Year: 1985
Complete Citation:
Schorske, Carl. “Mahler ey Ives: Archaïsme Populiste et Innovation Musicale.” In Gustav Mahler: Un Homme, une Oeuvre, une époque: Musée D'art Moderne de la Ville de Paris, 87-97. Paris, France: Bibliothèque Nati-onal, 1985.Source: Exhibition booklet
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Schott, Howard
Year: 1989
Complete Citation:
Schott, Howard. “Ives, Schubert & Strauss at Symphony.” Jewish Advocate, 1989, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints: Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Schubert, Giselher
Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.Source: Program Book for Festival
VI. Topical Studies
L. Ives and America
Schuermann, H.G.
Year: 1986
Complete Citation:
Schuermann, H.G. “Musik zwischen Metaphysik und Experiment: dreitägiger Workshop Charles Ives in Bonn.” Musikhandel 37/4 (1986): 177-178.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes: Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Schulz, Dieter
Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.Source: Journal
VI. Topical Studies
C. Keyboard Works