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Bibliography

Sellars, James E.

Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Semler, Isabella Parker

Year: 1942
Complete Citation:
Semler, Isabella Parker. Horatio Parker: A Memoir for His Grandchildren. New York, NY: G.P. Putnam & Sons.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Serebrier, Jose

Year: 1979
Complete Citation:
Serebrier, José. “Jose Serebrier on Ives.” In Conductors on Conducting. Frenchtown, NJ: Columbia Publishing Company, 1979.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Serebrier, José

Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI 4 (1984): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Serio, John N.

Year: 1979
Complete Citation:
Serio, John N. “The ultimate music is abstract: Charles Ives and Wallace Stevens.” Lewisburg, PA: Bucknell University Press, 1979.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sessions, Roger

Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.
Source: Book
VI. Topical Studies
L. Ives and America

Shavin, Norman

Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, John K.

Year: 1943
Complete Citation:
Sherman, John K. “Contemporary Music Group in Concert.” Minne-apolis Star Journal (December 2, 1943): 14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1986
Complete Citation:
Sherman, R. “Modern Works in Abundance.” The New York Times, February 19, 1986, CN13.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Sherman, Robert

Year: 1988
Complete Citation:
Sherman, Robert. “MUSIC; Some Concert ‘Firsts’ are Scheduled.(Westchester Weekly Desk).” The New York Times, March 6, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sherwood, Gayle

Year: 1993
Complete Citation:
Gayle Sherwood. “Chronology and Style of Ives’s Choral Works.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
C. Chronology
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Shirley, Wayne

Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Shreffler, Anne

Year: 1994
Complete Citation:
Shreffler, Anne. “Elliott Carter and His America.” Sonus 14/2 (Spring 1994): 38-66.
Notes:

See 51-58 regarding the influence of Ives that “looms largest in Carter's music.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shreffler, Anne Chatoney

Year: 1994
Complete Citation:
Shreffler, Anne Chatoney. “Elliott Carter and his America.” Sonus 14/2 (Spring 1994): 38-66.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Shultis, Christopher

Year: 1998
Complete Citation:
Shultis, Christopher. Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition, 3-4. 14-28, and passim.. Boston, MA: Northeastern University Press, 1998.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2013
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers