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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Specq, François

Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.
Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy

Spies, B., and W. Weyer

Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Spiker, John D.

Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Spurling, Christina

Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.
Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Stambler, Bernard

Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stearns, David P.

Year: 2014
Complete Citation:
Stearns, David P. “Reveling in Ives, Thanks to 2 Aficionados: Soprano Dawn Upshaw and Pianist Gilbert Kalish Plunged the Audience into the Composer’s World.” The Philadelphia Inquirer, October 23, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2014
Complete Citation:
Stearns, David P. “Upshaw and Kalish, at Home with Ives.” TCA Regional News, October 23, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Stearns, David P. “Making Perfect Sense of Ives’ Quirks: Pianist Jeremy Denk and Violinist Stefan Jackiw Gave Context to 4 Works.” The Philadelphia Inquirer, November 21, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Stearns, David Patrick

Year: 1998
Complete Citation:
Stearns, David Patrick. “Beyond Grave, Still Premiering Composers’ ‘New’ Works Emerge.” USA Today. November 18, 1998, sec. D, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Steele, Mike

Year: 1993
Complete Citation:
Steele, Mike. “Ives’ a Superb Job of Fleshing Out Spirit Behind Composer’s Music: METRO Edition.” Star Tribune, October 16, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Stefan, Paul

Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.
Notes:

Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.

Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Steinberg, Michael

Year: 1965
Complete Citation:
Steinberg, Michael. “First Performance: Ives Symphony no. 4 Played at Carnegie.” The Boston Globe, April 27, 1965, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Steinberg, Michael. “1916 Masterpiece Premieres Friday.” Boston Globe, November 20, 1966, A11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2006
Complete Citation:
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Steinberg, Michael G.

Year: 1965
Complete Citation:
Steinberg, Michael G. “First Performance: Ives Symphony no. 4 Played at Carnegie.” The Boston Globe, April 27, 1965: 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Steinberg, G. Michael. “Ives Party Marks ‘4th’ in Danbury.” Boston Globe, July 6, 1974, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances