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Bibliography

Ward, Charles

Year: 2001
Complete Citation:
Ward, Charles. “Two Composers Set Themselves Apart in ‘American Orig-inals.’” Houston Chronicle, January 23, 2001, 7.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Ward, Keith C.

Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keither

Year: 1985
Complete Citation:
Ward, Keith. “Charles Ives and the Oversoul.” Paper presented at the Mid-Atlantic Chapter Meeting of the American Musicological Society, February 3, 1985.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Warren-Findley, Janelle

Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.
Source: Journal
VI. Topical Studies
L. Ives and America

Warren, Robert Penn

Year: 1947
Complete Citation:
Warren, Robert Penn. “Sketches of Those Added by Columbia to the Roll of Pulitzer Prize Winners.” The New York Times. May 6, 1947: 1, 20.
Source: Newspaper
VI. Topical Studies
V. Awards

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Watt, Douglas

Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weatherwax, John

Year: 1934
Complete Citation:
Weatherwax, John. “On the Pacific Coast.” Modern Music 11 (January-February, 1934): 106-177.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Webb, John

Year: 1992
Complete Citation:
Webb, John. “Schnittke in Context.” Tempo 182 (September 1992): 19-22.
Notes:

Composer Schnittke tells of influence of Mahler and Ives. Considers each to be polystylistic.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Webster, Daniel

Year: 1983
Complete Citation:
Webster, Daniel. “Fine Remembrance of Composer Ives.” The Philadelphia Inquirer, June 19, 1983.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Webster, Daniel. “Americana on the Piano: Ives and Three Others.” The Philadelphia Inquirer, April 15, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Weischollek, Dirk

Year: 2011
Complete Citation:
Weischollek, Dirk. “Gustav Mahler und Charles Ives - Heterogenität als Welterfahrung.” In Wo die schönen Trompeten blasen: vokale und instrumentale Semantik im Werk Gustav Mahlers, edited by Heister, Hanns-Werner. Berlin, Germany: Weidler Buchverlag, 2011.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “In Defense of Native Composers.” The New York Times, July 26, 1931, sec. 8, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Weschler, Lawrence

Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.
Notes:

Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.

Source: Magazine
VI. Topical Studies
N. Ives’ Childhood

Weyer, Waldo, and Bertha Spies

Year: 2007
Complete Citation:
Weyer, Waldo, and Bertha Spies. “‘Music is Life’ – the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” The Journal for Transdisciplinary Research in Southern Africa, vol. 3, no. 2 (2007): e1-e40.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

White, Michael

Year: 1999
Complete Citation:
White, Michael. “Music Proms 99: The Next Seven Days: Final Edition.” The Independent, August 8, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

White, Michael J.

Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers