decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1933
Complete Citation:
“Housatonic.” San Francisco Times. January 4, 1933, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
“Modern Music.” St. Paul Tribune-News. February 24, 1933, 29.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1934
Complete Citation:
“Concerts in New York.” Musical America (April 25, 1934): 33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
“An Art Based on American Folk Music.” Boston Herald, April 23 1934, 42.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
“3 Songs.” Boston Evening Transcript, April 23, 1934, 22-23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
“Holidays.” Boston Transcript, December 15, 1934, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1935
Complete Citation:
“Three Places in New England.” Boston Transcript. May 4, 1935, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1935
Complete Citation:
“Cowell’s New Music Society.” San Francisco Chronicle. March 31, 1935, 39.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
Musiciens Americains à la ‘Spirale.’” La Revue Musicale, no. 165 (April 1936): 293.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1937
Complete Citation:
“Madrigal Singers Heard in Concert.” The New York Times. May 7, 1937, 28.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
“Insurance Man.” Time XXXIII, January 30, 1939, 44-45.
Source: Magazine
VI. Topical Studies
D. Insurance
Year: 1939
Complete Citation:
“New Music is Discussed by Rosenfeld—Emergence of America One of the Great Events in Musical History—says New York Critic.” Hart-ford Courant, November 3, 1939.
Notes:

A report of a lecture by Paul Rosenfeld, who stated that “The majority of modern composers are American. In Charles Ives, America at last has a composer with something to say and who knows how to say it.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
“Insurance Man.” Time Magazine, January 30, 1939.
Source: Magazine
VI. Topical Studies
D. Insurance
Year: 1939
Complete Citation:
“Danbury Fifty Years Ago.” Danbury Evening News. February 9, 1939, 3.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
Year: 1939
Complete Citation:
“Kirkpatrick Plays Ives’ Compositions.” Colorado Springs Gazette, April 29, 1939, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
"Ives." The Eastern Underwriter (January 27, 1939): 19.
Source: Journal
VI. Topical Studies
D. Insurance
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, sec. 3, 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1940
Complete Citation:
“Radiana Pazmor Gives Eastman Festival Recital: Contralto Sings American Songs, Largely by Ives.” New York Herald Tribune, April 25, 1940, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances