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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Deming, Clarence

Year: 1915
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.
Source: Book
VI. Topical Studies
O. Ives and Yale

DeMuth, Jerry

Year: 1979
Complete Citation:
DeMuth, Jerry. “Aaron Copland/Charles Ives.” Downbeat 46 (May 3, 1979): 31.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Denave, Laurent

Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Denhoff, Michael

Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Denton, David

Year: 2012
Complete Citation:
Denton, David. “Reviews: CDs - Ives: Violin Sonatas Nos. 1-4.” The Strad, Vol. 123 (2012): 103.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Denton, David. “CD Review: American Chamber Music.” The Strad, Vol. 125 (2014): 77, 79.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dervan, Michael

Year: 2016
Complete Citation:
Dervan, Michael. “Ives Orchestral Works Vol. 2 Melbourne SO/Andrew Davis.” The Irish Times, January 15, 2016.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Deutsch, Lawrence

Year: 1989
Complete Citation:
Deutsch, Lawrence. “Overstimulation by a Father: An Alternate View of Charles Ives.” In Fathers and Their Families, edited by Stanley H. Cath, Alan Gurwitt et al., 327-336. Hillsdale, NJ: Analytic Press, 1989.
Source: Chapter in Book
VI. Topical Studies
N. Ives’ Childhood

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Dickinson, Peter

Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.
Notes:

Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).

Source: Journal
VI. Topical Studies
T. Ives in Music Education
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1986
Complete Citation:
Dickinson, Peter. “Review of recordings: Crumb and Ives.” American Music 4/2 (Summer 1986): 233-235.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2000
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - R Clarke; Ives.” Gramophone, Vol. 78 (2000): 71.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Ives.” Gramophone, Vol. 84 (2006): 76.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews