Dickinson, Peter
Year: 2007
Complete Citation:
Dickinson, Peter. “Reviews: Chamber - Ives: “Three Page Sonata”; Three Quarter-Tone Pieces for Two Pianos; Wyschnegradsky: “Etude sur le ‘Carré Magique Sonore’”; 24 Preludes in Quarter-Tone System - Nos. 1, 4, 5, 7, 9, 14, 17-18, 20, 23-24.” Gramophone, Vol. 84 (2007): 81.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Dickinson, Peter. “Reviews: Vocal - Ives: “The Light That Is Felt.”” Gramophone, Vol. 86 (2009): 96-97.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Instrumental Reviews: “Responses to Ives.”” Gramophone, Vol. 88 (2010): 75.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Dickinson, Peter. “Reviews: Orchestral - Schuman: Symphony No. 8; “Night Journey”; Ives/Schuman: Variations on “America.”” Gramophone, Vol. 88 (2010): 67.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - Symphonies - No. 1; No. 2.” Gramophone, Vol. 92 (2015): 32.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Dickinson, Peter. “Orchestral Reviews: Ives - “Orchestral Works,” Vol. 2.” Gramophone, Vol. 93 (2016): 30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
DiMaggio, Kenneth
Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Distler, Jed
Year: 2000
Complete Citation:
Distler, Jed. “Music for the Millennium.” Gramophone, Vol. 77 (2000): A3-A6.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Distler, Jed. “Reviews: Reissues Round-Up - Eastern Promise?. BBC Music Magazine, Vol. 11, No. 8 (2003): 76.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Distler, Jed. “Reviews: North America - Ives: Piano Sonata No. 1; McDonald: “Meditation Before a Sonata - Dew Cloth, Dream Drapery,” Op. 406; Nielsen: Suite, “Luciferian,” FS91.” Gramophone, Vol. 87 (2009): A7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Distler, Jed. “Sounds of America: Reviews - Ives: Piano Sonatas - No. 1; No. 2, “Concord.”” Gramophone, Vol. 88 (2010): XI.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
DiYanni, Robert
Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes: Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Domin, Wolfgang
Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.Source: Journal
VI. Topical Studies
T. Ives in Music Education
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Donohue, John and Michael Petersen
Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.Source: Newspaper
VI. Topical Studies
L. Ives and America
Dorrill, Martha
Year: 1991
Complete Citation:
Martha Dorrill. "The Alcotts.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Downes, Olin
Year: 1925
Complete Citation:
Downes, Olin. “Franco-American Musical Society.” The New York Times. February 15, 1925.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes: <i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
