Image
Complete Citation:
Gillespie, Don. “John Becker, the Musical Crusader of St. Thomas College.” Student Musicologists at Minnesota 6 (1975-1976).
Bibliography
Genres
Gillespie, Don
Year: 1975-1976
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Gillespie, Don. “John Becker, Musical Crusader of St. Paul.” Musical Quar-terly 62/12 (April 1976): 195-217.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gillmore, Max
Year: 1976
Complete Citation:
Max Gillmore. “Interview with John Cage [1973].” Contact (Autumn 14, 1976).Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gilmore, Bob
Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2010
Complete Citation:
Gilmore, Bob. “Criticism: Recorded - Heather O’Donnell: “Responses to Ives.”” JMI: The Journal of Music in Ireland, Vol. 1, No. 6 (2010): 60.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ginell, Richard S.
Year: 2013
Complete Citation:
Ginell, Richard S. “Ojai Festival and Mark Morris: Tour de Force, of Course.” American Record Guide, Vol. 76, No. 5 (2013): 19-21.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gingerich, Lora Louise
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Glahn, Denise Von
Year: 2003
Complete Citation:
Glahn, Denise Von. “The sounds of place: music and the American cultural landscape.” In The Sounds of Place: Music and the American Cultural Landscape. Boston, MA: Northeastern University Press, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Glass, Herbert
Year: 1987
Complete Citation:
Glass, Herbert. “On the Record: Mainstream Americana.” Los Angeles Times, January 18, 1987, 60.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1989
Complete Citation:
Glass, Herbert. “On the Record: More Early Americana on CDs.” Los Ange-les Times, October 8, 1989: 62.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1991
Complete Citation:
Glass, Herbert. “Ives—Will He Have Staying Power This Time?” Los Ange-les Times, April 14, 1991, sec. CAL, 49.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “On the Record: An American Triple Play.” Los Angeles Times, May 16, 1993, 51.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “Ives: Mt. Rushmore of American Music.” Los Angeles Times. February 7, 1993: 52.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2002
Complete Citation:
Glass, Herbert. “Thomas Hampson: Defining Ives.” Gramophone, Vol. 79 (2002): A3.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gligo, Niksa
Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes:
Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Gold, Gerald
Year: 1991
Complete Citation:
Gold, Gerald. “Record Notes; Yankee Doodle is Doing Dandy. (Arts & Leisure Desk).” The New York Times, July 21, 1991.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Goldberg, Isaac
Year: 1932
Complete Citation:
Goldberg, Isaac. “Nicolas Slonimsky and the New American Composers.” Disques III, 5, July 1932, 29-30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews