Image
Complete Citation:
Jeff Goldberg. “John Cage Interview.” Soho Weekly News (September 12, 1974).
Bibliography
Genres
Goldberg, Jeff
Year: 1974
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goldstein, Howard
Year: 2012
Complete Citation:
Goldstein, Howard. “Reviews: Chamber - Ives: Complete Violin Sonatas.” BBC Music Magazine, Vol. 20, No. 4 (2012): 84.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Golemba, Henry
Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Goodfriend, James
Year: 1966
Complete Citation:
Goodfriend, James. “Charles Ives: Making Up for Lost Time.” HiFi/Stereo Review 17/1 (July 1966): 72.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Goodman, Hal
Year: 1987
Complete Citation:
Goodman, Hal. “Home Video; Music.” The New York Times. November 1, 1987, sec. 2, 38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Goosens, Eugene
Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1951
Complete Citation:
Goosens, Eugene. Overtures and Beginners: A Musical Autobiography. London, United Kingdom: Metheun Publishing, 1951.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gordon, Philip
Year: 1947
Complete Citation:
Gordon, Philip. “America in American Music.” Common Ground (Spring 1947).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Gorge, Emmanuel
Year: 2003
Complete Citation:
Gorge, Emmanuel. L’imaginaire amérindien et le modernisme. Paris, France: Éditions L’Harmattan, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Goss, Glenda Dawn
Year: 1993
Complete Citation:
Goss, Glenda Dawn. Music and the Moderns: The Life and Works of Carol Robinson. Metuchen, NJ: Scarecrow Press, 1993.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goss, Madeleine
Year: 1970
Complete Citation:
Goss, Madeleine. Modern music-makers: contemporary American composers. Westport, CT: Greenwood Press, 1970.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Goss, Madeline
Year: 1955
Complete Citation:
Goss, Madeline. “Charles Ives.” Diapason II [Milan] 5/1 (January 1955): 5-14.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gottschalk, Kurt
Year: 2016
Complete Citation:
Gottschalk, Kurt. “Sirius Quartet: Seriously Compatible.” Down Beat: Jazz, Blues & Beyond, Vol. 83, No. 9 (2016): 28.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gray, Pat
Year: 1975
Complete Citation:
Gray, Pat. “Interview with Bernard Herrmann.” In Knowing the Score: Notes on Film Music. Edited by Irwin Bazelon. New York, NY: Van Nostrand Reinhold, 1975: 232-235.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Green, Andrew
Year: 2005
Complete Citation:
Green, Andrew. Books: Review of Charles Ives and Aaron Copland: A Listener’s Guide, by Daniel Felsenfeld. Classical Music (2005): 55.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Greenfield, Edward
Year: 1959
Complete Citation:
Greenfield, Edward. “Charles Ives and Aaron Copland.” The Guardian, September 5, 1959, 5.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1972
Complete Citation:
Greenfield, Edward. “Ives from England.” High Fidelity/Musical America 22/4, April 1972, 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Greenfield, Philip
Year: 2012
Complete Citation:
Greenfield, Philip. “Heaven to Earth.” American Record Guide, Vol. 75, No. 4 (2012): 266.Source: Magazine (recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews