Image
Complete Citation:
Greenfield, Philip. “Adagio: Consideration of a Serious Matter.” American Record Guide, Vol. 77, No. 2 (2014): 186.
Bibliography
Genres
Greenfield, Philip
Year: 2014
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gresser, Clemens
Year: 2009
Complete Citation:
Gresser, Clemens. “Besprechungen: Gregor Herzfeld “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Musiktheorie, Vol. 24, No. 4 (2009): 375-379.Source: Journal (article review/response)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Grimes, Ev, and Nicolas Slonimsky
Year: 1986
Complete Citation:
Grimes, Ev, and Nicolas Slonimsky. “Conversations with American Composers: Ev Grimes Interviews Nicolas Slonimsky.” Music Educators Journal, vol. 72, no. 7 (1986): 40-43.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Grimes, William
Year: 1994
Complete Citation:
Grimes, William. “Artists’ Insurance Policies Tell All.” The New York Times, February 5, 1994.Source: Newspaper
VI. Topical Studies
D. Insurance
D. Insurance
Grover, Sharon, and Lizette D. Hannegan
Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Gruhn, Wilfried
Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Gunden, Heidi von
Year: 1983
Complete Citation:
Gunden, Heidi von. The Music of Pauline Oliveros, 147. Metuchen, NJ: Scarecrow Press, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gutman, David
Year: 1996
Complete Citation:
Gutman, David. “Passing Notes: Composer’s Lives.” Gramophone, Vol. 73 (1996): 21, 23, 25.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2013
Complete Citation:
Gutman, David. “Review: Orchestral - Ives, Sibelius, Wagner.” Gramophone, Vol. 91 (2013): 66.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Gutmann, Peter
Year: 2000
Complete Citation:
Gutmann, Peter. “Classical Notes: American Classical Music Has Etched a Distinctive Voice.” Goldmine, Vol. 26, No. 17 (2000): 80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Haefeli, Toni
Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Hair, Ross
Year: 2011
Complete Citation:
Hair, Ross. “‘Local Color’: Ronald Johnson, Charles Ives, and America.” Comparative American Studies an International Journal: Idea of Influence in American Literature, vol. 9, no. 2 (2011): 131-145.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hale, William
Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Hall, David
Complete Citation:
Hall, David. “The Quintessence of Ives.” Stereo Review 39, no. 2 (August 1977): 124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1959
Complete Citation:
Hall, David. “Charles E. Ives on What to Listen for in New Music.” HiFi Review 2/5 (May 1959): 6, 8.Notes:
Numerous quotations from Essays Before a Sonata.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Hall, David. “A Masterwork Takes Its Rightful Place.” HiFi Review 15, no. 5 (November 1965): 81-82.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Hall, David. “Charles Ives’ Fourth Symphony.” Stereo Review (1965): 55.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Hall, David. “The Choral Music of Charles Ives.” HiFi/Stereo Review 18/1, January 1967, 73-74.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Hall, David. “Two New Symphonies by Charles Ives.” Stereo Review 33/5 (November 1974): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews