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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Karl, Frederick R.

Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.
Notes:

“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).

Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Karolyi, Otto

Year: 1996
Complete Citation:
Karolyi, Otto. Modern American Music from Charles Ives to the Mini-malists, 9-20. Teaneck, NJ: Fairleigh Dickinson University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
D. Insurance

Karr, Harrison

Year: 1933
Complete Citation:
Karr, Harrison. “The Pan Americans.” Trend 1, 4 (January-March 1933): 141-143.
Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues

Karrel, John

Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kart, Larry

Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kaskowitz, Sheryl

Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives

Kassler, Jamie Croy

Year: 1994
Complete Citation:
Kassler, Jamie Croy. “Meaning in the Music of Charles Ives.” In Metaphor: a musical dimension. Basel, Switzerland: Gordon and Breach, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kastendieck, Miles

Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kavanaugh, Patrick

Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Kay, Norman

Year: 1970-71
Complete Citation:
Kay, Norman. “Aspects of Copland's Development.” Tempo 95 (Winter 1970-71): 23-29.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kearns, William K.

Year: 1990
Complete Citation:
Kearns, William K. Horatio Parker (1863-1919): His Life, Music, and Ideas. Metuchen, NJ: The Scarecrow Press, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Keats, Sheila

Year: 1955
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kellers, Wilfred

Year: 1964
Complete Citation:
Kellers, Wilfred. “Realism and Transcendentalism: Charles Ives as American Hero.” In Music in a New Found Land: Themes and Developments in the History of American Music, 38-64. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies

Kelly, June

Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).
Source: Journal
VI. Topical Studies
L. Ives and America

Kelly, Kevin

Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kendall, Blanche and Marguerite Kelly Kyle

Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.
Notes:

Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kennicott, Philip

Year: 2005
Complete Citation:
Kennicott, Philip. “The Magnificent Miss Graham”. Gramophone, Vol. 83 (2005): 24-27, 29.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Kennicott, Philip. “An American Idol.” Gramophone, Vol. 89 (2012): 28-29, 31, 33.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews