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Bibliography

Metzer, David

Year: 2003
Complete Citation:
Metzer, David. 2003. “Childhood and Nostalgia in the Works of Charles Ives.” In Quota-tion and Cultural Meaning in Twentieth -Century Music, 15--46. Cambridge, UK: Cambridge University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
N. Ives’ Childhood

Metzer, David Joel

Year: 2007
Complete Citation:
Metzer, David Joel. Quotation and cultural meaning in twentieth-century music. Cambridge, United Kingdom: Cambridge University Press, 2007.
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Metzmacher, Ingo

Year: 2005
Complete Citation:
Metzmacher, Ingo. “Zeit (Charles Ives; Gustav Mahler).” In Keine Angst vor neuen Tönen: eine Reise in die Welt der Musik. Berlin, Germany: Rowohlt Verlag, 2005.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Meyer, Felix

Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives, Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zurich, Switzerland: Atlantis Musikbuch Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1985
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives: Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zürich, Switzerland: Atlantis Musikbuch-Verlag, 1985.
Notes:

[Thoughts on Ives’ Writing and Thinking Style]

Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Meyer, Leonard B.

Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Middleton, Richard

Year: 1974
Complete Citation:
Middleton, Richard. “Ives and Schoenberg: An English View.” Saturday Review World, September 21, 1974, 39-41.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Fred

Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Miller, Leta E.

Year: 2006
Complete Citation:
Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Leta E., and Rob Collins

Year: 2005
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Philip L.

Year: 1967
Complete Citation:
Miller, Philip L. “Music for Chorus.” American Record Guide 33/5, January 1967, 410, 412.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Review of Robert Browning Overture by Charles Ives (sound recording).” American Record Guide 34/5, January 1968, 437.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Miller, Philip L. “Songs by Charles Ives and Others.” The American Record Guide 35, no. 4 (December 1968): 305.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Miller, Philip L. “Review of Ives Choral Music.” The American Record Guide 36, no. 9 (May 1970): 674.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1971
Complete Citation:
Miller, Philip L. “Gunther Schuller—A Very Right Man to Interpret Ives.” The American Record Guide 37, no. 6, February 1971, p. 353.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Miller, Sarah Bryan

Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.
Notes:

An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.

Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.
Notes:

Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.
Source: Journal
VI. Topical Studies
O. Ives and Yale
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.
Source: Journal
VI. Topical Studies
I. Compositional Process