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Bibliography

Nicholls, David

Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2000
Complete Citation:
Nicholls, David. “Ives Plays Ives: The Composer at the Piano in Four Recording Sessions, 1933-1943.” American Music 18, no. 3 (Fall 2000): 331-333.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Nicholls, David. “Review of “Ives Plays Ives” (sound recording).” America Music 18 (Fall 2000): 331-33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Nicholls, David. “‘The Unanswered Question of Her Son’s Biography’: New Thoughts on Mollie Ives.” Journal of the Society for American Music 5.1 (February 2011): 95-111.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Niemöller, Klaus Wolfgang

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Niermann, Franz

Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.
Notes:

Discusses Central Park in the Dark.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nieuwstadt, Jacques van

Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Noble, David

Year: 1968
Complete Citation:
Noble, David. “Ives Work Introduced by Pianist Mandel.” The Boston Globe, March 27, 1968, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Noble, David W.

Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Norman Holmes Pearson

Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

Norris, Christopher

Year: 1974
Complete Citation:
Norris, Christopher. “American Pioneer.” Music and Musicians 23/2 (Octo-ber 1974): 36-40.
Source: Journal
VI. Topical Studies
L. Ives and America

Norris, Geoffrey

Year: 2014
Complete Citation:
Norris, Geoffrey. ““Gramophone” Collector: Seattle Symphony Orchestra.” Gramophone, Vol. 92 (2014): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

North, Cheryl

Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

North, James H.

Year: 1998
Complete Citation:
North, James H. “Ives: “3 Places in New England,” Orchestral Set No. 2; Ruggles: “Sun-treader,” “Men and Mountains;” Crawford Seeger: Andante for Strings.” Fanfare: The Magazine for Serious Record Collectors, Vol. 21, No. 5 (1998): 146.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Ives: Symphonies: “No. 1”; “No. 2”; “No. 3”; “No. 4”; “3 Places in New England”; “Orchestral Set No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 6 (2001) 152.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; Robert Browning Overture.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 3 (2001): 202-204.
Source: Magazine (book review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
North, James H. “Ives: String Quartets: No. 1; No. 2; Scherzo, ‘Holding Your Own!’; Adagio sostenuto, ‘At Sea’; Largo risoluto: No. 1; No. 2; Adagio cantabile, ‘The Innate’; ‘Hallowe’en.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 4 (2003): 123-124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews