North, James H.
Year: 2003
Complete Citation:
North, James H. “Ives: “Symphony No. 3. Washington's Birthday. The Unanswered Question. Central Park in the Dark. Country Band March. Overture and March ‘1776.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 1 (2003): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Ives: “The Celestial Country,” “Silence Unaccompanied.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 4 (2004): 179-180.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Classical Recordings: Ives - “Emerson Concerto,” Symphony No. 1.” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 6 (2004): 120-121.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Gershwin: “Cuban Overture”; Harbison: Symphony No. 3; Ives: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 6 (2005): 136.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: Sonata No. 2, “Concord, Mass., 1840-60”; Barber: Piano Sonata in e-flat.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 131-132.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Universe Symphony”; Ives: “Universe Symphony”; Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 1 (2005): 204-206.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Varied Airs and Variations”; “Waltz-Rondo”; Invention in D; Studies: No. 1; No. 2; No. 11; No. 4; No. 5; “Storm and Distress”; “Impression of 'St. Gaudens’ in Boston Common”; “The Celestial Railroad”; “Minuetto”; “3 Quarter-Tone Pieces”; 7 Marches for Piano; George Ives: Fourth Fugue.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 132-133.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; “The Unanswered Question”; “Central Park in the Dark.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 3 (2006): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphonies: No. 1; No. 4; “Central Park in the Dark”; Ives - Symphonies: No. 2, No. 3, “The Camp Meeting”; “General William Booth Enters into Heaven.”” Fanfare 30, no. 4, (March 2007): 145-147.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Northcutt, Bayan
Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1984
Complete Citation:
Noss, Luther. A History of the Yale School of Music, 1855--1970. New Haven, CT: Yale School of Music, 1984.Source: Book
VI. Topical Studies
O. Ives and Yale
Notley, Margaret
Year: 2000
Complete Citation:
Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noubel, Max
Year: 2011
Complete Citation:
Noubel, Max. “La polytonalité dans l'œuvre de Charles Ives.” In Polytonalités, edited by Philippe Malhaire, Danièle Pistone, and Véronique Alexandre Journeau. Paris, France: Éditions L’Harmattan, 2011.Source: Chapter in Book
VI. Topical Studies
F. Polytonality
O’Donnell, Shaugn
Year: 2010
Complete Citation:
O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Grady, Terence J.
Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
O’Malloch, William
Year: 1966
Complete Citation:
Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
O’Regan, Tarik
Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O'Reilly, F. Warren
Year: 1976
Complete Citation:
“Charles Ives: Insurance Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
D. Insurance
O'Reilly, Warren
Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
