Bibliography

no author listed

Year: 1993

Complete Citation:

“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.

Source: Newspaper

VI. Topical Studies
N. Ives’ Childhood

Year: 1994

Complete Citation:

“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.

Source: Letter

VI. Topical Studies
M. Ives and Manhattan

Year: 1994

Complete Citation:

“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.

Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1994

Complete Citation:

“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1995

Complete Citation:

“CD Review.” The Sun-Herald, October 15, 1995, 136.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 1995

Complete Citation:

“Single Play; Charles Ives and Paul Creston: Second Symphonies Detroit Symphony / Neeme Jarvi (Chandos CHAN 9390). John Taverner: Western Wind Mass, etc Tallis Scholars, Directed by Peter Phillips (Gimell CDGIM 995).” The Independent, September 1, 1995.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 1995

Complete Citation:

Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.

Source: Newspaper

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1996

Complete Citation:

“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.

Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication

VI. Topical Studies
B. Musical Quotation or Borrowing

Year: 1997

Complete Citation:

Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 1998

Complete Citation:

Inaugural Celebration of the Classical Music Hall of Fame. Music Hall, Cincinnati, Ohio, May 24, 1998.

Notes:

See also Editorials in Cincinnati Post (May 22) and Cincinnati En-quirer (May 24).

Source: Ceremony

VI. Topical Studies
V. Awards

Year: 1998

Complete Citation:

“Ives and Yale: The Enduring Influence of a College Experience.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Source: Conference paper

Reprints:

“Ives and Yale: The Enduring Influence of a College Experience.” <i>College Music Symposium</i> 39 (1999): 27--42.

VI. Topical Studies
O. Ives and Yale

Year: 1998

Complete Citation:

Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.

Notes:

<a target="_blank" href="http://archives.news.yale.edu/ybc/v26.n26.news.01.html">Program of events listed at: http://archives.news.yale.edu/ybc/v26.n26.news.01.html. </a>

Source: Festival

VI. Topical Studies
O. Ives and Yale

Year: 1998

Complete Citation:

“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.

Source: Magazine

VI. Topical Studies
U. Institutions and Ives’ Legacy

Year: 2002

Complete Citation:

“Friday Review: Classical CD: Ives: From the Steeples and the Mountains; the Unanswered Question; Three Places in New England; Songs.” The Guardian, March 22, 2002, 22.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2002

Complete Citation:

“Compact Discs: Klavier im Quadrat.” Dissonanz (2002): 38.

Source: Journal (recording review)

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2002

Complete Citation:

Noble, David W. “The Vanishing National Landscape: Painting, Architecture, Music, and Philosophy in the Early Twentieth Century.” In Death of a Nation: American Culture and the End of Exceptionalism, 151-214. Minneapolis, MN: University of Minnesota Press, 2002.

Source: Chapter in Book

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Year: 2003

Complete Citation:

“Charles Ives; on Record.” Sunday Times (London, England), October 19, 2003: 24.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“Charles Ives; on Record.” Sunday Times, May 9, 2004, 24.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“The Best Classical CD’s of 2004; Ives: Songs, ‘Concord’ Sonata.” The New York Times, December 12, 2004.

Source: Newspaper

XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Year: 2004

Complete Citation:

“An Insurance Man’s Wild Imagination.” The New York Times, May 7, 2004, E13.

Source: Newspaper

VI. Topical Studies
D. Insurance

Bibliography

Genres

no author listed