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Bibliography

Babcock, David

Year: 1980
Complete Citation:
Babcock, David. “Carl Ruggles: Two Early Works and ‘Sun-Treader’.” Tempo, no. 135 (1980): 3-12.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bae, Myo Jeong

Complete Citation:
Bae, Myo Jeong. “Charles Ives 음악의 미국주의적 측면에 관한 연구.” 한국예술연구, no. 6 (2012): 67-97.
Source: Journal
VI. Topical Studies
L. Ives and America

Baggiani, Guido

Year: 1974
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 228-230. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1977
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 228-230. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Baisley, Robert W.

Year: 1975
Complete Citation:
Baisley, Robert W. “Charles Wakefield Cadman: Completely American.” Music Educators Journal, vol. 61, no. 9 (1975): 57-58.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Balanchine, George, and Francis Mason

Year: 1977
Complete Citation:
Balanchine, George, and Francis Mason. “Ivesiana.” In Balanchine’s Com-plete Stories of the Great Ballets. 2nd ed. Garden City, NY: Doubleday, 1977.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Balanchine, George (choreographer)

Year: 1954
Complete Citation:
George Balanchine, choreographer. Ivesiana (1954); ballet; New York City Ballet Company. [Homage to Ives in the year of his death.]
Source: *Ballet
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Ballantine, Christopher

Year: 1979
Complete Citation:
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.
VI. Topical Studies
B. Musical Quotation or Borrowing

Ballard, Lincoln

Year: 2004
Complete Citation:
Ballard, Lincoln. “Scriabin and Ives: An Unanswered Question?” Journal of the Scriabin Society of America 9 (2004): 37-61.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Ballard, Lincoln. “Charles Ives and Scriabin: An Unanswered Question?” Lecture, Society for American Music National Meeting, Eugene, Oregon, February 17, 2005.
Source: Public Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ballentine, Christopher

Year: 1979
Complete Citation:
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Ives in Ascolto, in Ascolto di Ives.” Musica 156 (May 2004): 46--50.
Notes:

[How Ives Listened, How to Listen to Ives].

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.
Notes:

Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Bardi, Aloma, ed.

Year: 2004
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.
Notes:

A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Barnes, Clive

Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.

Notes:

“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1966
Complete Citation:
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1993
Complete Citation:
Baron, Carol K. “At The Cutting Edge: Three American Theorists at The End of The Nineteenth Century.” International Journal of Musicology, vol. 2 (1993): 193-247.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood