Kirkpatrick, Ralph
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.Notes: In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Notes: Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kitto, Gloria de Feo
Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.Notes: A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Klemm, Eberhardt
Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Knussen, Sue
Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.Notes: Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Koch, Gerhard R.
Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
Kolodin, Irving
Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1972
Complete Citation:
Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
