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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Reinhard, Johnny

Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Source: Online article
VI. Topical Studies
R. Performance Approaches

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Retallack, Joan, ed.

Year: 1995
Complete Citation:
Retallack, Joan, ed. Musicage: Cage Muses on Words, Art, Music, 283. Hanover, NH: University Press of New England, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.
Source: Book
VI. Topical Studies
L. Ives and America

Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma

Year: 1977
Complete Citation:
Reynolds, Roger, Charles Dodge, Lou Harrison, Salvatore Martirano, and Gordon Mumma. “Five Composers’ Views.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 187-208. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rice, Philip

Year: Year unlisted
Complete Citation:
Rice, Philip. “Minority Mind: Reconstructing Charles Ives in the Postmodern Age.” Academia. www.academia.edu/5846350/Minority_Mind_Reconstructing_Charles_Ives_in_the_Postmodern_Age.
Source: Online article
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rich, Alan

Year: 1995
Complete Citation:
Rich, Alan. American Pioneers: Ives to Cage and Beyond. London, United Kingdom: Phaidon, 1995.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Rickey, Carrie

Year: 1978
Complete Citation:
Rickey, Carrie. “Fashion/Style/Custom: Alan Cote and David Diao.” Artforum 17 (October 1978): 30-34.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Ridley, Aaron

Year: 2004
Complete Citation:
Ridley, Aaron. The Philosophy of Music: Theme and Variations. Edin-burgh, Scotland: Edinburgh University Press, 2004.
Notes:

Central Park in the Dark is cited in Chapter 1, "Understanding": 20-21, 41-44.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Riedel, Johannes

Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.
Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riegger, Wallingford

Year: 1939
Complete Citation:
Riegger, Wallingford. “To the New Through the Old.” Magazine of AH 32, 8 (August 1939): 491-492.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Riesman, David

Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.
Source: Book
VI. Topical Studies
L. Ives and America

Riggs, Krista

Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.
Source: Journal
VI. Topical Studies
L. Ives and America

Rijavec, Andre J

Year: 1974
Complete Citation:
Rijavec, Andre J, “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 252-254. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Rijavec, Andre J.

Year: 1977
Complete Citation:
Rijavec, Andre J., “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 252-254. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ringer, Alexander L.

Year: 1990
Complete Citation:
Ringer, Alexander L. “Amerikanische Musik im Zeitalter des Jazz.” In Bericht über das Internationale Symposion 'Charles Ives und die amerikanische Musiktradition bis zur Gegenwart' Köln 1988, edited by Klaus Wolfgang Niemoller, 73-87. Kölner Beitrüge zur Musikforschung No. 164. Regensburg, Germany: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing