Robbins, Jerome, choreographer
Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.Notes: Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Robinson, David B.
Year: 1977
Complete Citation:
Robinson, David B. “Children of the Fire: Charles Ives on Emerson and Art.” American Literature 48 (1977): 564-76.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Robinson, David B. “Children of the fire: Charles Ives on Emerson and Art.” In On Emerson. Durham, NC: Duke University Press, 1991.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rockwell, John
Year: 1983
Complete Citation:
Rockwell, John. All American Music: Composition in the Late Twen-tieth Century. New York, NY: Alfred A. Knopf, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rodgers, Harold A.
Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Rogan, William J.
Year: 1994
Complete Citation:
Rogan, William J. “Vorkämpfer einer neuen Schule? Charles Ives zum vierzigsten Todestag.” Das Orchester 42/11 (November 1994): 2-5.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Ronda, Bruce A.
Year: 2017
Complete Citation:
Ronda, Bruce A. “Charles Ives: Sound.” In The Fate of Transcendentalism: Secularity, Materiality, and Human Flourishing. Athens, GA: The University of Georgia Press, 2017.Source: Chapter in Book
VI. Topical Studies
Roos, James
Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Root, Deane L.
Year: 1972
Complete Citation:
Root, Deane L. “The Pan American Association of Composers (1928-1934)." Anuario interamericano de investigation musical/Yearbook for Inter-American Musical Research/Anuario interamerican de pesquisa musical 8 (1972): 49-70.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosa, Alfred F.
Year: 1971
Complete Citation:
Rosa, Alfred F. “Charles Ives: Music, Transcendentalism, and Politics.” New England Quarterly 44 (1971): 433-443.Source: Journal
VI. Topical Studies
Rosen, Charles
Year: 2012
Complete Citation:
Rosen, Charles. “Happy Birthday, Elliott Carter!” In Freedom and the Arts: Essays on Music and Literature, 178-186. Cambridge, Massachusetts: Harvard University Press, 2012.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
Rosenberg, Bernard and Rosenberg, Deena
Year: 1979
Complete Citation:
Rosenberg, Deena and Bernard Rosenberg. The Music Makers, 9-11, 80, 91, 190, 198, 329, 407. New York, NY: Columbia University Press, 1979.Notes: Cites a spurious song by Ives, with flute obbligato, en-titled "Christopher Mockingbird.”
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rosenfeld, Paul
Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints: Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
Year: 1940
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.Notes: “Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
