Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski
Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Woodson, Susan Carol
Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Wooldridge, David
Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Wright, James K. And Allyson Wright
Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wuorinen, Charles
Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes: Includes several acerbic remarks about Ives and his music.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Yates, Peter
Year: 1954
Complete Citation:
Yates, Peter. “Music.” Arts and Architecture 71/10 (October 1954): 6-8, 10, 32-34.Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Yates, Peter. 1961. “Charles Ives: The Transcendental American Venture.” Parts 1--3. Arts and Architecture 78, no.2 (February): 6-8; no.3 (March): 4, 8, 10--1; no.5 (May): 6--8, 30-31.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Yother, Mark
Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.Notes: A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.
Source: Poem
XIII. Ives in Literature
A. Poetry
Young, Douglas
Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Zaher, Noel
Year: 1990
Complete Citation:
Zaher, Noel. “Letter to the editor.” Perspectives of New Music 28, no.2 (Summer 1990): 331--332.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Zahler, Noel
Year: 1990
Complete Citation:
Zahler, Noel. “Correspondence.” Perspectives of New Music 28/2 (Summer 1990): 331-332.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
Zijlstra, Miep
Year: 1969
Complete Citation:
Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Zimmerman, Walter
Year: 1980
Complete Citation:
Zimmermann, Walter. “Self-Reliance.” Neuland 1 (1980): 54-58.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Zimmermann, Walter
Year: 1980
Complete Citation:
Zimmermann, Walter. “‘Self-Reliance’ —Eigenstandigke in Charles Ives’ Charakter und Werk.” In Neuland: Ansatze zur Musik der Gegenwart, 54-58. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.Source: Journal
Reprints: Reprint: Insel-Musik. Koln: Beginner Press, 1981: 213-217.
VI. Topical Studies
A. Transcendentalism or Philosophy
Zobel, Mark Alan
Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing
Zuck, Barbara A.
Year: 1980
Complete Citation:
Zuck, Barbara A. A History of Musical Americanism. Studies in Musicology, No. 19.Source: Book
VI. Topical Studies
L. Ives and America
no author listed
Complete Citation:
“Life Congratulates…. Charles E. Ives.” Life 27, October 31, 1949, 45.Source: Magazine
VI. Topical Studies
V. Awards
