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Bibliography

Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists

Complete Citation:
Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists. “Perspectives on Charles Ives.” Panel presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Burkholder, J. Peter, James Sinclair, and Kenneth Singleton

Year: 1993
Complete Citation:
Burkholder, J. Peter, James Sinclair, and Kenneth Singleton. “Panel Discussions: The Influence of Popular Music on the Works of Ives and Cop-land.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Burkholder, J. Peter, Jan Swafford, Judith Tick

Year: 1996
Complete Citation:
Burkholder, J. Peter, Jan Swafford, Judith Tick. “Panel: Musical Life in America Then and Now.” Panel presented at Charles Ives and His World Festival, Bard College, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America

Burkholder, Peter

Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Burpee, Charles Winslow

Year: 1939
Complete Citation:
Winslow, Charles Burpee. The Story of Connecticut, 80-81. New York, NY: American History Co., 1939.
Source: Book
VI. Topical Studies
L. Ives and America

Burton, Humphrey

Year: 1994
Complete Citation:
Burton, Humphrey. Leonard Bernstein. London, United Kingdom: Faber and Faber, 1994.
Notes:

Discusses Symphony No. 2 (p. 205 and 299).

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Butterworth, Neil

Year: 1985
Complete Citation:
Butterworth, Neil. The Music of Aaron Copland, 118, 170, 179, 191. London, United Kingdom: Toccata Press, 1985.
Notes:

Cites Copland’s early insights into music of Ives, includ-ing “the major weakness of Ives through his lack of self-criticism.”

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cadieu, Martine

Year: 1974
Complete Citation:
Cadieu, Martine, “Charles Ives, or America of the 'First Romance.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1977
Complete Citation:
Cadieu, Martine, “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 238-241. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Cage, John

Complete Citation:
Cage, John. “Two Statements on Ives.” In A Year from Monday: New Lectures and Writings, 36-42. Middletown, CT: Wesleyan University Press, 1967.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The East in the West.” Modern Music 23/2 (Spring 1946): 111--115.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Cage, John. “The Dream and Dedications of George Antheil.” Modern Music 23/1 (Winter 1946): 78-79.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Cage, John. "History of Experimental Music in the United States." In Silence. Middletown, CT: Wesleyan University Press, 1961.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
“Two Statements on Ives.” In John Cage. A Year from Monday: New Lectures and Writings, 36-42. Middle-town, CT: Wesleyan University Press, 1967.
Notes:

Includes a letter to Michael O. Zahn of Milwaukee.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1967
Complete Citation:
Cage, John. A Year from Monday: New Lectures and Writings, 42. Middletown, CT: Wesleyan University Press, 1967.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Cage, John Cage. Notations. West Glover, VT: Something Else Press, 1969.
Notes:

Exam-ples of composers’ manuscripts. Includes a reproduction of a blank page of music paper with Charles Ives's signature.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1979
Complete Citation:
Cage, John. "The Future of Music." In Empty Words. Middletown, CT: Wesleyan University Press, 1979, 179-180.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Cahill, Greg

Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2012
Complete Citation:
Cahill, Greg. “Matheson Awarded Ives Composer Prize.” Strings, Vol. 26, No. 9 (2012): 13.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

Callens, Johan

Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions